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2 | front:intro | an3g | 0 | # Introduction to the Song of Songs\n\n## Part 1: General Introduction\n\n### Outline of the Song of Songs\n\n1. The bride longs for the bridegroom to arrive (1:1–2:7)\n1. The bridegroom praises the woman he loves (2:8–3:5)\n1. The bridegroom arrives and praises the bride (3:6–5:1)\n1. The bride longs for the bridegroom (5:2–6:9)\n1. The bridegroom praises the beauty of his bride (6:1–8:4)\n1. Final thoughts about love between a man and a woman (8:5–14)\n\n### What is the Song of Songs about?\n\nThe Song of Songs is a poem or a series of poems that celebrate love and intimacy between a man and a woman. Jews traditionally have interpreted the book as a picture of God’s love for his people Israel. In the same way, many Christians interpret it as a picture of love between Christ and his bride, the church of all believers.\n\n### Who wrote the Song of Songs?\n\nThe first verse of the book (“The Song of Songs, which is Solomon’s”) gives the idea that King Solomon of Israel wrote it. However, people have interpreted this verse in different ways, so not everyone is persuaded that Solomon wrote it.\n\n### How should the title of this book be translated?\n\nThis book is traditionally titled “Song of Songs,” which means the very best song, or “Song of Solomon.” It may also be called “Songs of Love,” “Great Poems of Love,” or “The Love Songs of Solomon.” (See: [[rc://*/ta/man/translate/translate-names]])\n\n## Part 2: Important Religious and Cultural Concepts\n\n### What place do the descriptions of sexual behavior have in the Song of Songs?\n\nThe Song of Songs approves of sexual behavior expressing love between a husband his wife.\n\n## Part 3: Important Translation Issues\n\n### How many characters are in the Song of Songs?\n\nThe two main characters in this book are the man and the woman, who love each other. The woman also speaks to a group of women called the “daughters of Jerusalem,” and these women make comments. However, it is possible that the group of women is not real and the woman is only imagining them.\n\nSome interpreters believe there may be more characters than these, but this is not certain. The ULT and UST versions recognize only the man, the woman, and the group of women.\n\n### What are the lines about people speaking?\n\nThe Song of Songs is a poem that shows the thoughts and words of a man, a woman, and the woman’s friends. Throughout the poem, the author does not identify the speakers and their audience. So to help readers understand the poem, some translations attempt to identify the speaker and the audience. It is not always certain who the speaker is, so sometimes translations disagree about who is speaking.\n\nBefore each speech, the ULT identifies the speaker and the audience like this: “The woman speaking to the other women,” “The woman speaking to the man,” “The man speaking to the woman,” or “The woman speaking to herself.” Translators are encouraged to include these ways of identifying the speaker and the audience, and to format them differently from the scripture text. The translators should also include a note explaining that these explanations are not actually part of the scripture.\n\n### How should one translate the Song of Songs if the readers will view certain terms as coarse, vulgar, or improper?\n\nReaders might consider many images or forms appearing in the Song of Songs as improper when translated. The translator should try to avoid offensive language if possible, by using expressions that will not cause offense. (See: [[rc://*/ta/man/translate/figs-euphemism]])\n\n### How do I translate metaphors and similes in this book?\n\nThere are many metaphors and similes in this book. These figures of speech are often unclear. If they have sexual meanings, figures of speech describing feelings or emotions are often used to avoid offense by hiding their meaning. However, since their meanings are often unclear, ambiguity in translation is encouraged. You can translate the words as they are written in order to avoid committing to a specific meaning. (See: [[rc://*/ta/man/translate/figs-metaphor]]) | |||
3 | 1:intro | xrm2 | 0 | # Song of Songs 1 General Notes\n\n## Special concepts in this chapter\n\n### Kisses\n\nThe kisses in this chapter are a type of kiss that was only done between a husband a wife. It is an intimate kiss. (See: [[rc://*/ta/man/translate/figs-explicit]])\n\n### Love and affection\n\nThis chapter is centered on the feelings of love, affection, and attraction. Different cultural standards may make translation difficult and the translator may use euphemisms to avoid offending people. (See: [[rc://*/ta/man/translate/figs-euphemism]])\n\n## Important figures of speech in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n## Other possible translation difficulties in this chapter\n\n### “I am dark”\nIn the ancient Near East, rich people usually had lighter skin because they did not need to work outside in the sun. This young woman had to work out in the sun, and her skin became darker than it was when she was younger. | |||
4 | 1:1 | dsf1 | rc://*/ta/man/translate/writing-poetry | שִׁ֥יר הַשִּׁירִ֖ים אֲשֶׁ֥ר לִשְׁלֹמֹֽה | 1 | This verse is the title of this book. Use whatever formatting convention is most natural in your language for indicating that something is the title of a poem or song. The ULT places this line further to the left than the other lines in this book to indicate that this verse is the title of the book. | |
5 | 1:1 | qbe2 | rc://*/ta/man/translate/figs-possession | שִׁ֥יר הַשִּׁירִ֖ים | 1 | The possessive form is being used here to indicate a comparison with other songs and to show that this **song** is the best or greatest of all **songs**. If it would be helpful in your language, you could use another form to indicate this. Alternate translation: “The best song” or “The most excellent song” or “The greatest song” | |
6 | 1:1 | r5ns | לִשְׁלֹמֹֽה | 1 | The phrase **of Solomon** could mean: (1) Solomon wrote this song. Alternate translation: “Solomon wrote” (2) this song was dedicated to Solomon. Alternate translation: “is dedicated to Solomon” (3) this song was about Solomon. Alternate translation: “is about Solomon” | ||
7 | 1:2-4 | fna4 | rc://*/ta/man/translate/writing-poetry | יִשָּׁקֵ֨נִי֙ מִנְּשִׁיק֣וֹת פִּ֔יהוּ כִּֽי־טוֹבִ֥ים דֹּדֶ֖יךָ מִיָּֽיִן׃ לְרֵ֨יחַ֙ שְׁמָנֶ֣יךָ טוֹבִ֔ים שֶׁ֖מֶן תּוּרַ֣ק שְׁמֶ֑ךָ עַל־כֵּ֖ן עֲלָמ֥וֹת אֲהֵבֽוּךָ׃ | 1 | These lines of poetry most likely indicate thoughts or words that the woman is speaking or thinking to herself while she is alone. Your language may have a way of indicating speech that is expressed toward a person who is not present to hear what is being said. | |
8 | 1:2 | j5xq | 0 | # General Information:\n\nThe first part of the book begins with this verse. | |||
9 | 1:2 | tulv | rc://*/ta/man/translate/writing-poetry | יִשָּׁקֵ֨נִי֙ מִנְּשִׁיק֣וֹת | 1 | The author is using an emphatic form to indicate the fervor and intensity of the desired kisses. Consider using a natural way in your language to indicate this. Alternate translation: “Let him kiss me again and again with the kisses of” or “Let him cover my face with the kisses of” | |
10 | 1:2 | d9mu | rc://*/ta/man/translate/figs-yousingular | דֹּדֶ֖יךָ | 1 | In this book every occurrence of the words **you** and **your** are singular. Your language may require you to mark these forms. | |
11 | 1:2 | th64 | rc://*/ta/man/translate/figs-abstractnouns | טוֹבִ֥ים דֹּדֶ֖יךָ | 1 | If your language does not use an abstract noun for the idea of **love**, you could express the same idea with a verbal form or in another way. Alternate translation: “the way you love me is better” or “your loving is better” | |
12 | 1:2 | nze7 | טוֹבִ֥ים דֹּדֶ֖יךָ מִיָּֽיִן | 1 | Alternate translation: “I enjoy having you near me more than I enjoy drinking wine” or “your love is more pleasant than wine” | ||
13 | 1:3 | j5ka | לְרֵ֨יחַ֙ | 1 | The Hebrew word which the ULT translates as **As for** could: (1) indicate reference, in which case it should be translated as the ULT translates it or with an equivalent phrase. Alternate translation: “In reference to the smell of” or (2) indicate emphasis or be making an assertion. Alternate translation: “Truly, the smell of” or “Indeed, the smell of” | ||
14 | 1:3 | si36 | rc://*/ta/man/translate/figs-explicit | שְׁמָנֶ֣יךָ טוֹבִ֔ים | 1 | Here, **oils** refers to colognes or perfumes. In the authors culture pleasant smelling spices were mixed into olive oil in order to make a pleasant smelling perfume which was then put on the skin. If it would be helpful to your readers, you could indicate that explicitly. If men do not use put pleasant smelling things on their skin in your culture you could say that the man being spoken of here smells pleasant. Alternate translation: “your colognes—they are good” or “your scented oils—they are good” or “your skin—it is good” or “your body—it is good” | |
15 | 1:3 | z9t3 | rc://*/ta/man/translate/figs-metonymy | שֶׁ֖מֶן תּוּרַ֣ק שְׁמֶ֑ךָ | 1 | The woman is describing the man she loves and his reputation by association with his **name**. If it would be helpful in your language, you could use an equivalent expression or plain language. Alternate translation: “oil poured out is your reputation” or “oil poured out is the honor that people give to you” | |
16 | 1:3 | ijen | rc://*/ta/man/translate/figs-metaphor | שֶׁ֖מֶן תּוּרַ֣ק שְׁמֶ֑ךָ | 1 | The woman makes a comparison between the man’s reputation (which she refers to as his **name**) and scented oil that is poured out after which the good smell of the oil spreads as the air moves. If it would be helpful to your readers, you could explain the comparison. Alternate translation: “your reputation spreads more and more like the scent of perfume which spreads after it has been poured out” | |
17 | 1:3 | pj62 | rc://*/ta/man/translate/grammar-connect-logic-result | עַל־כֵּ֖ן | 1 | The words translated as **Therefore** indicate that what follows is a result of what came before. Use a connector in your language that makes it clear that what follows is a result of what came before. Alternate translation: “As a result” | |
18 | 1:4 | gec8 | מָשְׁכֵ֖נִי | 1 | Alternate translation: “Lead me” | ||
19 | 1:4 | v83t | rc://*/ta/man/translate/figs-you | אַחֲרֶ֣יךָ | 1 | The word **you** refers to the man and so is singular. Your language may require you to mark this form. In this book every occurrence of the words **you** and **your** are singular. | |
20 | 1:4 | ty2p | rc://*/ta/man/translate/figs-exclusive | נָּר֑וּצָה | 1 | The word **us** refers to the young woman and the man that she is addressing so **us** is inclusive. Your language may require you to mark these forms. Alternate translation: “let you and I run” | |
21 | 1:4 | xpoe | rc://*/ta/man/translate/figs-explicit | נָּר֑וּצָה | 1 | Here, the woman uses **run** as a poetic way of expressing her desire that she and the man she loves hurry and go away together. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “let us hurry” (See: [[rc://en/ta/man/translate/figs-explicit]]) | |
22 | 1:4 | vpdi | rc://*/ta/man/translate/figs-metaphor | הַמֶּ֜לֶךְ | 1 | Here, the woman speaks of the man she loves as if he were **The king**. Here, the term **king** is a term of endearment and is an affectionate way for the woman to refer to the man she loves. The woman is not speaking of an actual king but rather this is a poetic way of speaking. The woman is still speaking of the same man that she was speaking of in [1:2-3](../01/02.md). If it would be helpful in your language, you could state the meaning by using a simile. Alternate translation: “He whom I love is like a king to me” | |
23 | 1:4 | at7l | נָגִ֤ילָה וְנִשְׂמְחָה֙ בָּ֔ךְ נַזְכִּ֤ירָה דֹדֶ֨יךָ֙ מִיַּ֔יִן | 1 | The **us** in these two lines could: (1) be a group of young women speaking about the man. Alternate translation: “We will be glad and rejoice in you. We will profess your love more than wine” (2) be the woman continuing to speak to the man she loves and using **us** to refer to herself. Alternate translation: “May I be glad and rejoice in you. May I profess your love more than wine” (3) be the woman continuing to speak and using **us** to refer to herself and the man. Alternate translation: “Let you and I be glad and rejoice in you. Let you and I profess your love more than wine”\n | ||
24 | 1:4 | isr6 | rc://*/ta/man/translate/figs-exclusive | נָּר֑וּצָה…נָגִ֤ילָה…נַזְכִּ֤ירָה | 1 | The word *us** is inclusive all three times that it occurs in this verse. Your language may require you to mark these forms. (See also: [[rc://*/ta/man/translate/figs-exclusive]]) | |
25 | 1:4 | ku0t | rc://*/ta/man/translate/figs-doublet | נָגִ֤ילָה וְנִשְׂמְחָה֙ | 1 | The terms **glad** and **rejoice** mean similar things. The author is using the two terms together for emphasis. If it would be clearer for your readers, you could express the emphasis with a single phrase. Alternate translation: “Let us greatly rejoice” or “Let us rejoice greatly” | |
26 | 1:4 | geq4 | נַזְכִּ֤ירָה | 1 | Alternate translation: “Let us praise” | ||
27 | 1:4 | rc0e | מִיַּ֔יִן | 1 | The phrase **more than wine** could mean: (1) that the women would **profess** the man’s **love** as **more** delightful **than wine**. Alternate translation: “as being more delightful than wine” (2) that the women would **profess** the delightfulness of the man’s **love more than** they would **profess** the delightfulness of **wine**. Alternate translation: “more than we profess wine” | ||
28 | 1:4 | so9x | מֵישָׁרִ֖ים אֲהֵבֽוּךָ | 1 | Here the speaker could be: (1) the woman speaking to the man about the young women who admire him. Alternate translation: “rightly do the young women love you” (2) the young women speaking of other women who admire the man. Alternate translation: “rightly do the other young women love you” or “rightly do the young women love you”. You may wish to indicate who the presumed speaker is here by placing a heading above this section as modeled by the UST. | ||
29 | 1:4 | gxfw | אֲהֵבֽוּךָ | 1 | Alternate translation: “do they admire you” | ||
30 | 1:4 | ag8r | מֵישָׁרִ֖ים אֲהֵבֽוּךָ | 1 | Alternate translation: “it is right that other young women adore you” or “no wonder other young women adore you” | ||
31 | 1:5 | ez2x | rc://*/ta/man/translate/figs-explicit | שְׁחוֹרָ֤ה אֲנִי֙ | 1 | Here, **I am black** means “My skin is black” or “My skin is very dark.” If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “My skin is black” or “My skin is very dark” | |
32 | 1:5 | jpj9 | rc://*/ta/man/translate/grammar-connect-logic-contrast | וְֽנָאוָ֔ה | 1 | Here, the word **But** is introducing a contrast. What follows the word **But** is in contrast to what was expected, because in the author’s culture it was not considered attractive for a woman to have skin that was dark as a result of much exposure to the sun. Use a natural form in your language for introducing a contrast. Alternate translation: “yet lovely” or “but still lovely” | |
33 | 1:5 | ck9k | rc://*/ta/man/translate/figs-explicit | בְּנ֖וֹת יְרוּשָׁלִָ֑ם | 1 | The phrase **daughters of Jerusalem** is a poetic way of referring to women who were born in Jerusalem and/or were from the city of Jerusalem (These are probably the same women as the “marriageable women” in [1:3](../01/03.md) and the women referred to as “they” in [1:4](../01/04.md)). If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “young women of Jerusalem” or “young women from Jerusalem” | |
34 | 1:5 | rbb3 | rc://*/ta/man/translate/figs-simile | כְּאָהֳלֵ֣י קֵדָ֔ר כִּירִיע֖וֹת שְׁלֹמֹֽה | 1 | The Kedar were a tribe of people who used black goat skins to make their tents, thus their tents were dark in color. The woman is comparing her skin to these tents which were dark in color. The phrase **the curtains of Solomon** refers to the curtains in Solomon’s palace which were very beautiful. The point of the first comparison is that the woman’s skin was dark (referring back to and further describing the word **black**) and the point of the second comparison is that the woman was beautiful (referring back to and further describing the word **lovely**). If it would be helpful in your language, you could use equivalent comparisons from your culture or you could retain these similes and express these meanings as plainly as possible. Alternate translation: “like the dark color of the tents of the people of the tribe Kedar, like the curtains of Solomon’s palace” or “as dark as the color of the tents of Kedar, as beautiful as the curtains in Solomon’s palace” | |
35 | 1:6 | avcq | אַל־ תִּרְא֨וּנִי֙ | 1 | The phrase **Do not look at me** could mean: (1) that the woman does not want people to look at her with contempt. Alternate translation: “Do not look at me with contempt” or “Do not look down on me” or “Do not look at me disapprovingly” (2) that the woman does not want people to stare at her in admiration of her beauty. Alternate translation: “Do not stare at me because I am so beautiful” | ||
36 | 1:6 | gy5l | rc://*/ta/man/translate/grammar-connect-logic-result | שֶׁאֲנִ֣י | 1 | The word **that** indicates that what follows is a reason for what came before. Use a connector in your language that makes it clear that what follows is a reason for what came before. Alternate translation: “because” | |
37 | 1:6 | nqqb | rc://*/ta/man/translate/figs-explicit | שֶׁאֲנִ֣י שְׁחַרְחֹ֔רֶת | 1 | Here, **I am black** means “my skin is black” or “my skin is very dark” as it did in [1:5](../01/05.md). If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “that my skin is black” or “that my skin is very dark” | |
38 | 1:6 | im6w | rc://*/ta/man/translate/grammar-connect-logic-result | שֶׁשֱּׁזָפַ֖תְנִי הַשָּׁ֑מֶשׁ | 1 | The word **that** indicates that what follows is a reason for what came before. Use a connector in your language that makes it clear that what follows is a reason for what came before. Alternate translation: “because the sun scorched me” | |
39 | 1:6 | thz7 | rc://*/ta/man/translate/figs-explicit | שֶׁשֱּׁזָפַ֖תְנִי הַשָּׁ֑מֶשׁ | 1 | The phrase **the sun scorched me** refers to sunlight shining on the skin and means “the sun burned me” or “the sun tanned my skin dark.” If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “that the sun burned me” or “that the sun turned my skin brown” or “that the sun tanned my skin.” (See: [[rc://en/ta/man/translate/figs-explicit]]) | |
40 | 1:6 | v86f | נֹטֵרָ֣ה אֶת־הַכְּרָמִ֔ים כַּרְמִ֥י שֶׁלִּ֖י לֹ֥א נָטָֽרְתִּי | 1 | Alternate translation: “as caretaker of the vineyards—my vineyard that is mine, I have not taken care of” | ||
41 | 1:6 | w18k | rc://*/ta/man/translate/figs-metaphor | כַּרְמִ֥י שֶׁלִּ֖י לֹ֥א נָטָֽרְתִּי | 1 | The woman is probably using the phrase **my vineyard** to refer to her complexion. If it would be helpful in your language, you could state the meaning plainly. Alternate translation: “my skin, I have not protected from the sun” or “my complexion, I have not protected from the sun” | |
42 | 1:7 | f9hi | rc://*/ta/man/translate/figs-synecdoche | שֶׁ֤אָהֲבָה֙ נַפְשִׁ֔י | 1 | The woman is using one part of herself, her **soul**, to represent all of her. If it would be helpful in your language, you could use an equivalent expression from your culture or state the meaning plainly. Alternate translation: “you whom I love” | |
43 | 1:7 | mpbu | rc://*/ta/man/translate/figs-ellipsis | אֵיכָ֣ה תִרְעֶ֔ה | 1 | The woman is leaving out some of the words that a sentence would need in many languages to be complete. If your readers might misunderstand this, you could supply these words from the context. Alternate translation: “where do you graze your flock” or “where do you graze your sheep” | |
44 | 1:7 | wsmm | rc://*/ta/man/translate/figs-parallelism | אֵיכָ֣ה תִרְעֶ֔ה אֵיכָ֖ה תַּרְבִּ֣יץ בַּֽצָּהֳרָ֑יִם | 1 | The phrase **where do you graze** and the phrase **Where do you make your flocks lie down at noontime** mean basically the same thing. The second phrase emphasizes the meaning of the first by repeating the same idea with different words. Hebrew poetry was based on this kind of repetition, and it would be good to show this to your readers by including both phrases in your translation rather than combining them. However, if saying very similar things twice might confuse your readers, you could combine the phrases into one. Alternate translation: “Where do you pasture your flocks in the middle of the day” | |
45 | 1:7 | v54w | rc://*/ta/man/translate/figs-rquestion | שַׁלָּמָ֤ה אֶֽהְיֶה֙ כְּעֹ֣טְיָ֔ה עַ֖ל עֶדְרֵ֥י חֲבֵרֶֽיךָ | 1 | The woman is not asking for information, but is using the question form for emphasis. If you would not use a rhetorical question for this purpose in your language, you could translate her words as a statement, a request, or an exclamation and communicate the emphasis in another way. Alternate translation: “I do not want to be like a woman who covers herself\nbeside the flocks of your companions” or “Please do not let me be like a woman who covers herself\nbeside the flocks of your companions” or “Tell me so that I will not be like a woman who covers herself\nbeside the flocks of your companions” | |
46 | 1:7 | f5eb | rc://*/ta/man/translate/figs-explicit | כְּעֹ֣טְיָ֔ה עַ֖ל עֶדְרֵ֥י חֲבֵרֶֽיךָ | 1 | The phrase **covers herself** means **covers herself with a veil** and the phrase **your companions** refers to the other shepherds who pastured their animals near the flocks of the man and were probably his friends. If it would help your readers, you could express these phrases explicitly. Alternate translation: “like a woman who covers herself with a veil beside the flocks of the other shepherds” | |
47 | 1:7 | v6rs | rc://*/ta/man/translate/figs-simile | שַׁלָּמָ֤ה אֶֽהְיֶה֙ כְּעֹ֣טְיָ֔ה עַ֖ל עֶדְרֵ֥י חֲבֵרֶֽיךָ | 1 | In the authors culture women who were prostitutes often covered their faces with a veil so that people would not recognize them. It would not be normal for a young unmarried woman to be wandering among shepherds and the woman did not want to be mistaken for a prostitute. If it would be helpful to your readers, you could explain the basis of this comparison. Alternate translation: “Tell me where you pasture your flocks so that I will not need to wander around among the flocks of your companions like a prostitute when I am looking for you” or “For why should I be like a prostitute who covers herself with a veil and wanders about\nbeside the flocks of your companions” | |
48 | 1:8 | lc64 | rc://*/ta/man/translate/grammar-connect-condition-hypothetical | אִם־ לֹ֤א תֵדְעִי֙ לָ֔ךְ הַיָּפָ֖ה בַּנָּשִׁ֑ים צְֽאִי־ לָ֞ךְ | 1 | If it would help your readers to see that this is a conditional statement then you could supply a word like “then” in your translation. Alternate translation: “If you do not know, most beautiful among women, then go out” | |
49 | 1:8 | fu4f | rc://*/ta/man/translate/figs-infostructure | אִם־ לֹ֤א תֵדְעִי֙ לָ֔ךְ הַיָּפָ֖ה בַּנָּשִׁ֑ים | 1 | If it would be more natural in your language you could begin this verse with the phrase **most beautiful among women**. Alternate translation: “Most beautiful among women, if you do not know” | |
50 | 1:8 | nky4 | הַיָּפָ֖ה בַּנָּשִׁ֑ים | 1 | Alternate translation: “you who are the most beautiful of all women” | ||
51 | 1:8 | sy7k | rc://*/ta/man/translate/figs-go | צְֽאִי־ לָ֞ךְ | 1 | Your language may say “come” rather than **go** in contexts such as this. Use whichever is more natural. Alternate translation: “come out” | |
52 | 1:8 | al9c | וּרְעִי֙ אֶת־ גְּדִיֹּתַ֔יִךְ | 1 | Alternate translation: “and let your young goats graze” or “and graze your young goats” | ||
53 | 1:8 | fis9 | וּרְעִי֙ אֶת־ גְּדִיֹּתַ֔יִךְ | 1 | Alternate translation: “graze your young goats” or “let your young goats eat” | ||
54 | 1:9 | j8xv | rc://*/ta/man/translate/figs-infostructure | לְסֻסָתִי֙ בְּרִכְבֵ֣י פַרְעֹ֔ה דִּמִּיתִ֖יךְ רַעְיָתִֽ | 1 | If it would be more natural in your language you could begin this verse with the phrase **my darling**. Alternate translation: “My darling, I liken you to a mare among the chariots of Pharaoh” | |
55 | 1:9 | gw76 | rc://*/ta/man/translate/figs-simile | לְסֻסָתִי֙ בְּרִכְבֵ֣י פַרְעֹ֔ה דִּמִּיתִ֖יךְ | 1 | Here, it is implied that the man is comparing the woman to the beauty of a mare and not to other other qualities of a horse. The king of Egypt’s horses were known to be the best in the world and so they would have been very beautiful. If it would help your readers you could explain the point of this comparison. Alternate translation: “Your beauty is like the beauty of Pharaoh’s chariot horses” or “I compare your beauty to the beauty of Pharaoh’s chariot horses” | |
56 | 1:9 | zyj5 | rc://*/ta/man/translate/figs-metonymy | בְּרִכְבֵ֣י פַרְעֹ֔ה | 1 | The man is using the phrase **the chariots** to mean “the horses that pull the chariots.” If it would be helpful in your language, you could state the meaning plainly. Alternate translation: “among the horses that pull Pharaoh’s chariots” or “among the horses that pull the chariots of Pharaoh” | |
57 | 1:9 | lnbo | rc://*/ta/man/translate/figs-explicit | פַרְעֹ֔ה | 1 | Here, the term **Pharaoh** does not refer to a specific Egyptian king but is a title used to designate the acting king of Egypt. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “the king of Egypt” | |
58 | 1:10 | hrjd | rc://*/ta/man/translate/translate-unknown | בַּתֹּרִ֔ים | 1 | The term the man uses, which the ULT translates as **earrings**, is a term which refers to strings of small ornaments or jewels which apparently hung down the side of one’s face. If your readers would not be familiar with this type of jewelry you could use a more general term and, if you are using footnotes, you could make a footnote explaining this type of jewelry. Alternate translation: “with neck ornaments” or “strings of jewels” | |
59 | 1:10 | u7h9 | rc://*/ta/man/translate/translate-unknown | בַּחֲרוּזִֽים | 1 | **necklaces** are a type of jewelry worn around the neck in order to make a person look more attractive. If your readers would not be familiar with **necklaces**, you could use the name of something similar in your area worn around the neck for the purpose of looking nice or you could use a more general term and, if it would help your readers, you could make a footnote explaining what a necklace is if you are using footnotes. Alternate translation: “with neck ornaments” or “strings of jewels” | |
60 | 1:11 | yuyp | rc://*/ta/man/translate/translate-unknown | תּוֹרֵ֤י | 1 | See how you translated the term “earrings” in the previous verse. | |
61 | 1:11 | dza7 | rc://*/ta/man/translate/figs-pronouns | נַעֲשֶׂה | 1 | The man speaks as if he were many people. Some versions change this to singular “I.” Other versions take these to be the words of the woman’s friends. (See also: [[rc://*/ta/man/translate/figs-exclusive]]) | |
62 | 1:11 | bp6l | עִ֖ם נְקֻדּ֥וֹת הַכָּֽסֶף | 1 | Alternate translation: “with beads of silver” or “that are decorated with silver” | ||
63 | 1:12 | kec9 | rc://*/ta/man/translate/figs-metaphor | שֶׁ֤הַמֶּ֨לֶךְ֙ | 1 | See how you translated the phrase “The king” in [1:4](../01/04.md) where it is used with the same meaning. | |
64 | 1:12 | zt7d | בִּמְסִבּ֔וֹ | 1 | The word which the ULT translates as **couch** could: (1) refer to a couch and be translated as **couch** as modeled by the ULT. (2) refer to a table. Alternate translation: “was at his table” | ||
65 | 1:12 | ur66 | rc://*/ta/man/translate/translate-unknown | נִרְדִּ֖י | 1 | The term **nard** refers to pleasant smelling perfumed oil that was made from the roots of the **nard** plant. If your readers would not be familiar with *nard** plants, you could use a general expression or describe what **nard** is. Alternate translation: “my perfumed oil” or “my pleasant smelling perfume made from the nard plant” | |
66 | 1:12 | lp8f | נָתַ֥ן רֵיחֽוֹ | 1 | Alternate translation: “gave off its good smell” or “spread its pleasant smell” | ||
67 | 1:13 | vc5v | rc://*/ta/man/translate/figs-metaphor | צְר֨וֹר הַמֹּ֤ר ׀ דּוֹדִי֙ לִ֔י בֵּ֥ין שָׁדַ֖י יָלִֽין | 1 | In the author’s culture women would sometimes place a small bag or pouch of myrrh on a necklace so it would hang on their neck and they could enjoy its pleasant smell. The woman makes a comparison between the enjoyable experience of having a bag of myrrh near her and the enjoyable experience of having the man she loves near her. If it would be helpful to your readers, you could use a simile to show the comparison. Alternate translation: “I enjoy having my beloved near me throughout the night like I enjoy the smell of a bag of myrrh” | |
68 | 1:13 | d77b | rc://*/ta/man/translate/translate-unknown | הַמֹּ֤ר | 1 | **myrrh** was a pleasant smelling incense that was made from resin taken from the bark of a certain kind of tree. One of the things it was used for was to make a person smell good. If your readers would not be familiar with **myrrh**, you could use the name of something pleasant smelling in your area that might be used for this purpose or you could use a general expression. Alternate translation: “pleasant smelling perfume” | |
69 | 1:13 | bzs7 | דּוֹדִי֙ | 1 | Alternate translation: “is my lover” | ||
70 | 1:13 | f8y8 | rc://*/ta/man/translate/figs-euphemism | אֶשְׁכֹּ֨ל הַכֹּ֤פֶר ׀ דּוֹדִי֙ לִ֔י | 1 | If using the word **breasts** would offend your readers, you could use an appropriate euphemism for **breasts** or state the meaning of the phrase **between my breasts it stays** using a more general expression. Alternate translation: “My beloved stays very close to me during the night, like a bundle of myrrh hanging near my chest” | |
71 | 1:13 | bl0z | יָלִֽין | 1 | Here, the original language word that the ULT translates with the phrase **it stays** is ambiguous regarding what it is that **stays**. This word could: (1) indicate that the **bundle of myrrh** is what **stays**, in which case it should be translated as something similar to **it stays** as modeled by the ULT. (2) mean that the man **stays**. Alternate translation: “he stays” | ||
72 | 1:13 | jw0u | יָלִֽין | 1 | Here, the word **stays** could: (1) refer to staying in one place for a prolonged period of time in which case you could translate this word with something similar to **stays** as modeled by the ULT. (2) refer to lying down. Alternate translation: “it lies” | ||
73 | 1:14 | a6jk | rc://*/ta/man/translate/translate-unknown | הַכֹּ֤פֶר | 1 | The phrase **henna blossoms** refers to **blossoms** from the **henna** plant which produces clusters of flower blossoms which have a pleasant smell. If your readers would not be familiar with this plant, you could use the name of a plant in your area that has a pleasant smell, you could explain in your translation that henna is a plant that produces fragrant blossoms, or you could use a general expression. Alternate translation: “fragrant flowers” or “fragrant blossoms from the henna plant” | |
74 | 1:14 | zh75 | rc://*/ta/man/translate/figs-metaphor | אֶשְׁכֹּ֨ל הַכֹּ֤פֶר ׀ דּוֹדִי֙ לִ֔י בְּכַרְמֵ֖י עֵ֥ין גֶּֽדִי | 1 | Here, **vineyards of En Gedi** is probably a reference to the woman’s body because at that time **vineyards** were often used to convey a sexual meaning and because the phrase **in the vineyards of Engedi** is in parallel to phrase in the previous verse in which the woman refers to her body by saying that her “beloved” is like a “bundle of myrrh“ which “stays” (the night) “between” her “breasts.” In this verse the woman makes a comparison between the pleasurable experience of the smell of henna blossoms and her enjoyment of having the man she loves near her body. If it would be helpful to your readers, you could use a simile to show the comparison. Because the woman describes her body in a poetic way with images, it is recommended that you either maintain these images or select images from your context and language that communicate the same concepts. Alternate translation: “I enjoy being near my beloved’s body like I enjoy the smell of the henna flowers in the vineyards of Engedi” or “I delight in my beloved being near my body like I enjoy the smell of the henna flowers in the vineyards of Engedi” | |
75 | 1:14 | nop3 | עֵ֥ין גֶּֽדִי | 1 | |||
76 | 1:15 | tae6 | rc://*/ta/man/translate/figs-exclamation | הִנָּ֤ךְ…הִנָּ֥ךְ | 1 | The man is using the term **Look** to focus attention on what he is about to say. Your language may have a comparable expression that you could use in your translation. Alternate translation: “Behold! … Behold!” | |
77 | 1:15 | x2d5 | rc://*/ta/man/translate/figs-parallelism | הִנָּ֤ךְ יָפָה֙ רַעְיָתִ֔י הִנָּ֥ךְ יָפָ֖ה עֵינַ֥יִךְ יוֹנִֽים | 1 | The man uses the phrase **Look at you—you are beautiful** two times for emphasis. If saying the same thing twice might be confusing for your readers, you can combine the phrases into one and provide emphasis in a way that is natural in your language. Alternate translation: “Look at you—you are beautiful, my darling. Your eyes are doves” | |
78 | 1:15 | m114 | רַעְיָתִ֔י | 1 | See how you translated the phrase **my darling** in [1:9](../01/09.md) | ||
79 | 1:15 | fb4x | rc://*/ta/man/translate/figs-metaphor | עֵינַ֥יִךְ יוֹנִֽים | 1 | The man makes a comparison between the beauty and gentleness of doves and the woman’s eyes. If it would be helpful to your readers, you could use a simile to show the comparison or state the meaning plainly. Alternate translation: “your eyes are like doves” or “your eyes are gentle and beautiful” | |
80 | 1:16 | sbi4 | rc://*/ta/man/translate/figs-exclamation | הִנְּךָ֨ | 1 | The woman is using the term **Look** to focus attention on what she is about to say. Your language may have a comparable expression that you could use in your translation. Alternate translation: “Behold!” | |
81 | 1:16 | febl | rc://*/ta/man/translate/figs-infostructure | הִנְּךָ֨ יָפֶ֤ה דוֹדִי֙ אַ֣ף נָעִ֔ים אַף־ עַרְשֵׂ֖נוּ רַעֲנָנָֽה | 1 | If it would be more natural in your language you could either begin or end this verse with the phrase **my beloved**. | |
82 | 1:16 | x3pr | דוֹדִי֙ | 1 | See how you translated the phrase **my beloved** in [1:13](../01/13.md). Alternate translation: “my lover” | ||
83 | 1:16 | km29 | rc://*/ta/man/translate/figs-ellipsis | אַ֣ף נָעִ֔ים | 1 | The woman is leaving out some of the words that a sentence would need in many languages to be complete. If your readers might misunderstand this, you could supply these words from the context. Alternate translation: “you are truly pleasant” | |
84 | 1:16 | q43e | rc://*/ta/man/translate/figs-explicit | עַרְשֵׂ֖נוּ | 1 | Here, **couch** does not refer to a literal couch but rather to the place where the couple would lie down in the forest. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “the place where we lie down is” or “the place we lie down on like a bed is” | |
85 | 1:16 | xed8 | rc://*/ta/man/translate/figs-explicit | רַעֲנָנָֽה | 1 | Here, the original language word that the ULT translates as **leafy** refers to plants that are the green color. You could translate **leafy** in a general way such as “green” or if it would help your readers you could indicate specifically what vegetation the word **leafy** refers to. Here, **leafy** could refer to: (1) the grass that the couple layed down on. Alternate translation: “grass” (2) the branches above their meeting place in the forest. Alternate translation: “under the cover of branches” or “shaded by branches” | |
86 | 1:17 | v14z | rc://*/ta/man/translate/figs-metaphor | קֹר֤וֹת בָּתֵּ֨ינוּ֙ אֲרָזִ֔ים רַהִיטֵ֖נוּ בְּרוֹתִֽים | 1 | Here the woman is speaking of the forest as though it were a **house**, the cedar trees as if they were the **beams** of the house and **pine** trees as if they were the **rafters** of the house. If it would be helpful in your language, you could state the meaning plainly or use a simile as modeled by the UST. Alternate translation: “Our meeting place is shaded by cedar and pine trees” or “Branches of cedar and pine trees will be a canopy over our meeting place” | |
87 | 1:17 | c3e5 | rc://*/ta/man/translate/translate-unknown | בְּרוֹתִֽים | 1 | **pine** is a type of tree that grows tall and close to other trees so that they provide shade from the sun. If your readers would not be familiar with **pine** trees, you could use general phrase describing them or use the name of a tree that grows tall and densely in your area. Alternate translation: “tall leafy trees” | |
88 | 2:intro | u8uv | 0 | # Song of Songs 2 General Notes\n\n## Important figures of speech in this chapter\n\n### Metaphor\n\nWomen are compared to flowers in this chapter. This metaphor may describe a woman’s beauty and delicacy. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n### Euphemisms\n\nIt is possible that some of the metaphors used in this chapter are actually euphemisms. These euphemisms would refer to sex or the physical love between a husband a wife. (See: [[rc://*/ta/man/translate/figs-euphemism]]) | |||
89 | 2:1 | bw25 | rc://*/ta/man/translate/writing-poetry | 0 | # General Information:\n\n(See also: [[rc://*/ta/man/translate/figs-parallelism]]) | ||
90 | 2:1 | cne2 | rc://*/ta/man/translate/figs-metaphor | I am a meadow flower of Sharon | 0 | The woman speaks as if she were one of many flowers in a land known for beautiful flowers. | |
91 | 2:1 | ni5p | Sharon | 0 | the name of a land that is flat, has no trees, and grows many different kinds of grasses and flowers | ||
92 | 2:1 | vve6 | rc://*/ta/man/translate/figs-metaphor | lily of the valleys | 0 | The woman speaks as if she were one of many flowers in a land known for beautiful flowers. | |
93 | 2:1 | nt8f | lily | 0 | a sweet smelling flower that grows in places where there is much water. See how you translated this in [Song of Songs 2:1–2](./01.md). | ||
94 | 2:1 | e9ke | valleys | 0 | flat areas between mountains and near water | ||
95 | 2:2 | ibi6 | rc://*/ta/man/translate/figs-simile | As a lily among thorns … young women | 0 | A flower is much more beautiful than a thorn bush. The man thinks the woman is much more beautiful than the other women. | |
96 | 2:2 | bi45 | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md). | ||
97 | 2:2 | y9bu | the young women | 0 | Alternate translation: “the other young women” | ||
98 | 2:3 | xz7y | rc://*/ta/man/translate/figs-simile | As an apricot tree … the young men | 0 | People enjoy the fruit of an apricot tree, but the trees of the forest do not bear fruit. The woman enjoys being with the man, but not with the other young men. | |
99 | 2:3 | yr6x | apricot tree | 0 | a tree that produces a small yellow fruit that is very sweet. If your readers will not know what this is, you could use the word for another fruit tree or the general word “fruit tree.” | ||
100 | 2:3 | wf4u | the forest | 0 | The Hebrew word here refers to land where trees grow for which people have no use. | ||
101 | 2:3 | q7kl | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
102 | 2:3 | pii3 | rc://*/ta/man/translate/figs-metaphor | I sit down under his shadow with great delight | 0 | The woman finds great joy and comfort in being so near to the man. | |
103 | 2:3 | b5ai | rc://*/ta/man/translate/figs-metaphor | his fruit is sweet to my taste | 0 | The woman enjoys eating sweet fruit, and she enjoys being near to the man. | |
104 | 2:4 | ift6 | the house of wine | 0 | This could mean: (1) the very large room where the king would serve many people large meals with wine or (2) a small booth in a vineyard where the man and woman could be alone together. | ||
105 | 2:4 | rp8q | rc://*/ta/man/translate/figs-metonymy | his banner over me was love | 0 | This could mean: (1) the banner is a metonym for a military escort. And, the military escort is a metaphor that represents the man’s love which gives courage to the woman who was nervous to enter the large room where the king served many people. Alternate translation: “but his loving protection guided me and gave me courage” or (2) the woman knew that the man wanted to make love to her from the way he looked at her. Alternate translation: “he looked at me lovingly” or “when he looked at me, I knew he wanted to make love to me” or (3) they made love. Alternate translation: “he lovingly covered me” (See also: [[rc://*/ta/man/translate/figs-metaphor]]) | |
106 | 2:5 | uxb2 | Revive me | 0 | Alternate translation: “Return my strength” or “Give me energy” | ||
107 | 2:5 | khc1 | with raisin cakes | 0 | “by giving me raisin cakes to eat.” Raisin cakes were cakes made of dried grapes pressed together. | ||
108 | 2:5 | gs2a | refresh me with apricots | 0 | Alternate translation: “support me by giving me apricots” or “help me by giving me apricots” | ||
109 | 2:5 | y4qy | rc://*/ta/man/translate/figs-metaphor | for I am weak with love | 0 | The woman speaks of feeling weak because her love is so strong as if love were a kind of sickness. Alternate translation: “because my love is so strong that I feel feeble” | |
110 | 2:6 | m6ys | left hand … right hand | 0 | Alternate translation: “left arm … right arm” | ||
111 | 2:6 | fq8w | embraces me | 0 | Alternate translation: “holds me” | ||
112 | 2:7 | l67b | rc://*/ta/man/translate/figs-apostrophe | daughters of Jerusalem | 0 | “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her. | |
113 | 2:7 | n4wq | rc://*/ta/man/translate/figs-apostrophe | by the gazelles and the does of the fields | 0 | Although the daughters of Jerusalem could not hear her, the woman speaks to them as if they could hear saying that the gazelles and the does will punish them they break their promise. | |
114 | 2:7 | sz5c | the gazelles | 0 | These are animals that look like deer and move quickly. | ||
115 | 2:7 | nt79 | does | 0 | female deer | ||
116 | 2:7 | w94r | of the fields | 0 | “that live in the countryside.” This was land that has not been farmed. | ||
117 | 2:7 | ekc3 | rc://*/ta/man/translate/figs-personification | will not awaken or arouse love until she pleases | 0 | Here “love” is spoken of as if it were a person asleep that does not want to be awakened. This is a metaphor that represents the man and woman who do not want to be disturbed until they are finished making love. Alternate translation: “will not disturb us until we have finished making love” (See also: [[rc://*/ta/man/translate/figs-metaphor]]) | |
118 | 2:7 | fz3j | rc://*/ta/man/translate/figs-doublet | will not awaken or arouse | 0 | If your language has only one word for waking people out of sleep, you could combine these words. Alternate translation: “will not awaken” | |
119 | 2:8 | aay2 | 0 | # General Information:\n\nThe second part of the book begins here. It is not clear whether the woman is speaking to herself or to the daughters of Jerusalem. | |||
120 | 2:8 | j2nl | Listen | 0 | This could mean: (1) “Listen carefully to what I am about to say.” You could use a word in your language that tells the hearer to listen carefully, or (2) “Listen so you can hear him coming.” | ||
121 | 2:8 | rn51 | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
122 | 2:8 | dm9e | leaping … jumping | 0 | The woman shows that she is excited to see the man come by using as few words as possible to describe what he is doing. Your language may have a different way of showing that the speaker is excited about what is happening. | ||
123 | 2:8 | fr67 | rc://*/ta/man/translate/figs-metaphor | leaping over the mountains, jumping over the hills | 0 | “leaping on the mountains, running quickly on the hills.” The woman speaks of the man as if he were “a gazelle or a young stag” (verse 9) coming quickly toward her over rough ground. | |
124 | 2:9 | l5ni | gazing … peering | 0 | The woman shows that she is excited to see the man come by using as few words as possible to describe what he is doing. Your language may have a different way of showing that the speaker is excited about what is happening. | ||
125 | 2:9 | f2lu | rc://*/ta/man/translate/figs-simile | like a gazelle or a young stag | 0 | Gazelles and young stags move quickly over rough ground. The woman imagines the man coming as fast as he can to be with her. You could translate using animals in your language that people think of as fast. | |
126 | 2:9 | kq5f | a gazelle | 0 | This is an animal that looks like a deer and moves quickly. Translate as the singular of “the gazelles” as in [Song of Songs 2:7](./07.md). | ||
127 | 2:9 | qbs9 | a young stag | 0 | Alternate translation: “a young male deer” | ||
128 | 2:9 | s6z4 | look | 0 | “listen carefully” or “what I am about to say is important.” You could use a word in your language that tells the hearer to listen carefully. | ||
129 | 2:9 | umf5 | behind our wall | 0 | “on the other side of our wall.” The woman is in a house and the man is outside the house. | ||
130 | 2:9 | be2w | rc://*/ta/man/translate/figs-exclusive | our wall | 0 | The word “our” refers to the woman and the other people in the house with her. If she is speaking to herself, it is inclusive, but if she is speaking to the daughters of Jerusalem, whether she is referring to herself and her companions or to herself only in plural, as in “We are glad … We rejoice … let us celebrate” ([Song of Songs 1:4](../01/01.md)), it is exclusive. | |
131 | 2:9 | kf9u | gazing through the window | 0 | Alternate translation: “he stares in through the windows” | ||
132 | 2:9 | s9xt | peering through the lattice | 0 | Alternate translation: “he peeks through the lattice” | ||
133 | 2:9 | z1bl | lattice | 0 | a cover for a window or some other entrance that someone has made by weaving long strips of wood together. Lattices have holes that people can look through. | ||
134 | 2:10 | hl12 | My beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “My dear one” or “My lover” | ||
135 | 2:10 | pah1 | Arise, my love | 0 | Alternate translation: “Get out of bed, my love” | ||
136 | 2:10 | fff7 | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md) | ||
137 | 2:11 | yv91 | Look | 0 | “Listen carefully” or “What I am about to say is important.” You could use a word in your language that tells the hearer to listen carefully. | ||
138 | 2:11 | eyh9 | the winter is past; the rain is over and gone | 0 | In winter it is too cold and wet to make love outside, but the cold, wet time has passed. | ||
139 | 2:11 | e658 | the winter is past | 0 | Winter is the cold time of year when plants do not grow and people prefer to stay inside their houses. You could use the term in your language for that time of year. | ||
140 | 2:11 | f4hz | the rain is over and gone | 0 | In Israel it only rains during the winter. The rain here is cold and unpleasant, not the refreshing rain of the hot season. | ||
141 | 2:12 | wfw3 | The flowers have appeared | 0 | Alternate translation: “People can see flowers” | ||
142 | 2:12 | j8f3 | in the land | 0 | Alternate translation: “all over this land” | ||
143 | 2:12 | sv72 | for pruning | 0 | for cutting off branches from a plant so that it will produce more fruit or look better | ||
144 | 2:12 | x3li | the singing of birds | 0 | Alternate translation: “for birds to sing” | ||
145 | 2:12 | zmw4 | rc://*/ta/man/translate/figs-activepassive | the sound of the doves is heard | 0 | This can be translated in active form. Alternate translation: “people can hear the sound of doves” or “the doves are cooing” | |
146 | 2:13 | mk2y | rc://*/ta/man/translate/figs-personification | The fig tree ripens her green figs | 0 | The tree is spoken of as if it were actively causing its fruit to ripen. This is a collective singular and can be translated as a plural. Alternate translation: “The figs on the trees are becoming ripe” | |
147 | 2:13 | ef3j | vines are in blossom | 0 | Alternate translation: “vines are flowering” or “vines have flowers” | ||
148 | 2:13 | xhn3 | they give off | 0 | The word “they” refers to the blossoms on the vines. | ||
149 | 2:13 | wjr7 | their fragrance | 0 | Alternate translation: “their sweet smell” | ||
150 | 2:13 | m4mt | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md) | ||
151 | 2:14 | a7lp | 0 | # General Information:\n\nThe man is speaking. | |||
152 | 2:14 | wv7q | rc://*/ta/man/translate/figs-metaphor | My dove | 0 | The Israelites considered doves beautiful birds with pleasant voices. The man thinks the woman’s face and voice are beautiful. If calling a woman a “dove” would be offensive, you could leave out the metaphor. Alternate translation: “My beautiful woman” | |
153 | 2:14 | eju1 | the clefts | 0 | large cracks in the side of mountain rocks large enough for people to hide in | ||
154 | 2:14 | afg5 | the mountain crags | 0 | Alternate translation: “the steep rocks on the sides of the mountains” | ||
155 | 2:14 | bhl6 | your face | 0 | Some versions translate this as “your appearance” or “your form” or “what you look like.” | ||
156 | 2:15 | pu8l | rc://*/ta/man/translate/figs-you | Catch | 0 | This is plural, as if the woman is speaking to more than one man, but most versions translate who she is speaking to as the man, so you could translate this as singular. | |
157 | 2:15 | xns5 | rc://*/ta/man/translate/figs-metaphor | the foxes | 0 | These animals look like small dogs and were often used in love poetry to represent eager young men who would spoil a young woman. | |
158 | 2:15 | v31m | rc://*/ta/man/translate/figs-exclusive | for us … our vineyard | 0 | The words **us** and **our** could possibly be: (1) exclusive, referring to the woman herself, as in [Song of Songs 1:4](../01/01.md), or (2) inclusive, referring to the woman and the man, or (3) exclusive, referring to the woman and the rest of her family. | |
159 | 2:15 | dac9 | foxes | 0 | Another possible meaning is “jackals.” A jackal is a type of thin wild dog with long legs. | ||
160 | 2:15 | wl95 | rc://*/ta/man/translate/figs-metaphor | the little foxes that spoil | 0 | Foxes spoil or destroy vineyards by digging holes and eating vines and grapes. This could be a metaphor for young men who spoil young women. | |
161 | 2:15 | r16k | rc://*/ta/man/translate/figs-metaphor | in blossom | 0 | This implies that the vineyard is healthy and the grapes have appeared, but they are not ready for harvest. This could be a metaphor for a young lady ready for marriage and bearing children. See how you translated this in [Song of Songs 2:13](./12.md). | |
162 | 2:16 | zb2r | My beloved is mine | 0 | Alternate translation: “My beloved belongs to me” | ||
163 | 2:16 | lxy4 | I am his | 0 | Alternate translation: “I belong to him” | ||
164 | 2:16 | n6c3 | rc://*/ta/man/translate/figs-metaphor | he grazes | 0 | “feeds” or “eats grass.” The woman speaks of the man as if he were “a gazelle or a young stag” (verse 17) that eats plants among the lilies. Grazing is probably a metaphor for lovemaking ([Song of Songs 2:1–2](./01.md)). | |
165 | 2:16 | x5db | lilies | 0 | sweet-smelling flowers that grow in places where there is much water. Translate as the plural of “lily” in [Song of Songs 2:1](./01.md). | ||
166 | 2:17 | b3kg | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
167 | 2:17 | p2uq | dawn | 0 | the part of the day when the sun is rising | ||
168 | 2:17 | lz3y | rc://*/ta/man/translate/figs-metaphor | the shadows flee away | 0 | The woman describes the shadows as though they were running away from the light of the sun. Alternate translation: “the shadows disappear” | |
169 | 2:17 | d8mw | like a gazelle or a young stag | 0 | See how you translated this in [Song of Songs 2:9](./08.md). | ||
170 | 2:17 | vlw3 | gazelle | 0 | an animal that looks like a deer and moves quickly. Translate as the singular of “gazelles” as in [Song of Songs 2:7](./07.md). | ||
171 | 2:17 | l8dz | stag | 0 | an adult male deer | ||
172 | 2:17 | ia1r | rugged mountains | 0 | Alternate translation: “rocky mountains” or “rough mountains” | ||
173 | 3:intro | t72h | 0 | # Song of Songs 3 General Notes\n\n## Special concepts in this chapter\n\n### Longing\n\nThis chapter describes a feeling of longing, or the waiting in anticipation of the one you love. (See: [[rc://*/ta/man/translate/figs-explicit]])\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]]) | |||
174 | 3:1 | l1kv | I was longing for him … could not find him | 0 | Alternate translation: “I had a strong desire to be with him … loves, but he was not there” | ||
175 | 3:1 | hu3u | rc://*/ta/man/translate/figs-metonymy | him whom my soul loves | 0 | The soul is a metonym for the whole person. Here it makes a stronger statement of the woman’s love for the man than “my beloved” ([Song of Songs 1:14](../01/12.md)). | |
176 | 3:2 | uyu7 | go through the city | 0 | Alternate translation: “walk through the city” | ||
177 | 3:2 | x9ki | through the streets and squares | 0 | The word “squares” indicates the center area of a town where streets or roads come together. It is often an area where people sell items, a market, and a place where people come together to talk. | ||
178 | 3:2 | afu9 | will search | 0 | Alternate translation: “will to look for” | ||
179 | 3:3 | rdd5 | watchmen | 0 | men who have the job of keeping guard of the town at night to keep the people safe | ||
180 | 3:3 | b9j2 | as they were making their rounds in the city | 0 | Alternate translation: “who were walking around the city on the walls” | ||
181 | 3:3 | pab8 | rc://*/ta/man/translate/figs-metonymy | him whom my soul loves | 0 | The soul is a metonym for the whole person. Here it makes a stronger statement of the woman’s love for the man than “my beloved” ([Song of Songs 1:14](../01/12.md)). See how you translated this in [Song of Songs 3:1](./01.md). | |
182 | 3:4 | p5k2 | the bedroom | 0 | Alternate translation: “the room for sleeping” | ||
183 | 3:4 | ri8e | rc://*/ta/man/translate/figs-metonymy | the one who had conceived me | 0 | This is a metonym for her mother. | |
184 | 3:5 | a3y1 | 0 | # General Information:\n\nTranslate this verse as in [Song of Songs 2:7](../02/07.md). | |||
185 | 3:5 | t61g | rc://*/ta/man/translate/figs-apostrophe | daughters of Jerusalem | 0 | “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her. | |
186 | 3:5 | qw1m | rc://*/ta/man/translate/figs-apostrophe | by the gazelles and the does of the fields | 0 | Although the daughters of Jerusalem are not there to hear her, the woman is telling them that the gazelles and the does will punish them they break their promise. | |
187 | 3:5 | b4r5 | the gazelles | 0 | animals that look like deer and move quickly. | ||
188 | 3:5 | ruq7 | does | 0 | female deer | ||
189 | 3:5 | n2aq | of the fields | 0 | “that live in the countryside.” This refers to land that has not been farmed. | ||
190 | 3:5 | cm9r | rc://*/ta/man/translate/figs-personification | will not awaken or arouse love until she pleases | 0 | Here “love” is spoken of as if it were a person asleep that does not want to be awakened. This is a metaphor that represents the man and woman who do not want to be disturbed until they are finished making love. Alternate translation: “will not disturb us until we have finished making love” (See also: [[rc://*/ta/man/translate/figs-metaphor]]) | |
191 | 3:5 | dbf9 | rc://*/ta/man/translate/figs-doublet | will not awaken or arouse | 0 | If your language has only one word for waking people out of sleep, you could combine these words. Alternate translation: “will not awaken” | |
192 | 3:6 | e1ly | 0 | # General Information:\n\nThe third part of the book begins here. It begins with a description of sixty men carrying Solomon’s bed up from the wilderness to Jerusalem. | |||
193 | 3:6 | y8wr | What is that coming up from the wilderness | 0 | The group of people is traveling from the wilderness to Jerusalem. They must go up in order to reach Jerusalem because the wilderness is low in the Jordan valley and Jerusalem is high in the mountains. | ||
194 | 3:6 | z3w1 | What is that | 0 | Many versions translate this “Who is that.” | ||
195 | 3:6 | tjf4 | rc://*/ta/man/translate/figs-simile | like a column of smoke | 0 | The dust looked like smoke from far away because the people raised much dust in the air as they traveled. | |
196 | 3:6 | w7kr | perfumed with myrrh and frankincense | 0 | Alternate translation: “with the sweet smell of myrrh and frankincense” | ||
197 | 3:6 | bf7f | rc://*/ta/man/translate/figs-ellipsis | with all the powders sold by merchants | 0 | The words “perfumed with” are understood from the previous phrase. They can be repeated here. Alternate translation: “perfumed with all the powders sold by merchants” or “and with the sweet smell of all the powders that merchants sell” | |
198 | 3:6 | sy9j | powders | 0 | a fine dust made by crushing something solid | ||
199 | 3:7 | ldh8 | Look | 0 | “Listen carefully” or “What I am about to say is important.” You could use a word in your language that tells the hearer to listen carefully. The speaker now discovers the answer to the question in verse 6. | ||
200 | 3:7 | e4uw | it is the bed | 0 | This refers to a bed with a cover that can be carried from one place to another. | ||
201 | 3:7 | rd7d | rc://*/ta/man/translate/figs-doublet | sixty warriors surround it, sixty soldiers of Israel | 0 | These two phrases refer to the same sixty people. The second phrase clarifies that the “warriors” are “soldiers of Israel.” | |
202 | 3:7 | u16s | warriors | 0 | men who fight | ||
203 | 3:8 | mm7c | rc://*/ta/man/translate/writing-background | 0 | A description of the bed itself begins in verse 9. You could use words in your language that show that this is background information. | ||
204 | 3:8 | v2yx | are experienced in warfare | 0 | Alternate translation: “can fight battles well” | ||
205 | 3:8 | z9n4 | armed against | 0 | Alternate translation: “so that he can fight against” | ||
206 | 3:8 | jqy9 | rc://*/ta/man/translate/figs-abstractnouns | terrors of the night | 0 | Here, “terrors” is a metonym for evil people who frighten others by attacking them. If your language does not use an abstract noun for the idea behind the word **terrors**, you can express the same idea with a verbal form. Alternate translation: “evil people who attack others at night” (See also: [[rc://*/ta/man/translate/figs-metonymy]]) | |
207 | 3:9 | nnm6 | sedan chair | 0 | This is a chair or couch for important people to sit or lie on. It rests on long poles that people can use to carry it | ||
208 | 3:10 | f5mj | rc://*/ta/man/translate/writing-background | 0 | The description of the bed itself that began in [Song of Songs 3:9](./08.md) continues. | ||
209 | 3:10 | w2at | Its posts | 0 | The word “its” refers to King Solomon’s sedan chair. | ||
210 | 3:10 | xnj4 | posts | 0 | The word “posts” here refers to pieces either made of silver or made of wood covered with silver that hold up the tent of cloth around his chair. | ||
211 | 3:10 | rr69 | Its interior was | 0 | Alternate translation: “The inside of it was” | ||
212 | 3:10 | apj8 | with love | 0 | This could mean: (1) “with love,” indicating that the women made the sedan beautiful in a special way to show their love for Solomon, or (2) “with leather.” | ||
213 | 3:11 | i961 | daughters of Zion | 0 | Alternate translation: “you young women who live in Zion” | ||
214 | 3:11 | sj76 | gaze on King Solomon | 0 | “look at King Solomon.” The word “gaze” refers to look at someone or something for a long time, usually with strong emotional feeling. | ||
215 | 3:11 | tf1d | bearing the crown | 0 | Alternate translation: “wearing the crown” | ||
216 | 3:11 | ei7z | rc://*/ta/man/translate/figs-metonymy | the day of the joy of his heart | 0 | The word “heart” is a metonym for the person. Alternate translation: “the day on which he truly rejoiced” or “the happiest day of his life” | |
217 | 4:intro | r3aw | 0 | # Song of Songs 4 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same the same standards of beauty.\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n### “My sister, my bride”\nThe woman described is not the sister of her husband. They are not related. Instead, this is a reference to a woman who is a fellow Israelite. | |||
218 | 4:1 | rg3f | rc://*/ta/man/translate/writing-poetry | 0 | # General Information:\n\n(See also: [[rc://*/ta/man/translate/figs-parallelism]]) | ||
219 | 4:1 | m3g6 | rc://*/ta/man/translate/figs-metaphor | Your eyes are doves | 0 | One possibility is that the man is speaking of the woman’s white eyeballs or the shape of her eyes, the shape of a dove. Another possibility is that the Israelites considered doves to be gentle and soft birds, and the man considers the woman’s eyes beautiful because the way the woman looks at him makes him think she is gentle. See how you translated this in [Song of Songs 1:15](../01/15.md). Alternate translation: “You are very gentle” | |
220 | 4:1 | z6f7 | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md). | ||
221 | 4:1 | pnn4 | rc://*/ta/man/translate/figs-simile | Your hair is like a flock of goats going down from Mount Gilead | 0 | Goats in Israel were usually dark in color. The woman’s hair was probably dark. You may need to specify that the goats were dark or even use another simile that the reader will understand that refers to something dark and beautiful. People thought of Mount Gilead as beautiful and fertile. The speaker considered the woman beautiful and ready to become the mother of his children. If you remove the simile of the goats, you may have to remove the simile of the mountain as well. Alternate translation: “Your hair is as dark as storm clouds above a fertile land” | |
222 | 4:2 | bdg1 | rc://*/ta/man/translate/figs-simile | Your teeth are like a flock of newly shorn ewes | 0 | After sheep have their wool cut off, they are washed and their skin looks very white. The woman’s teeth are white. | |
223 | 4:2 | cj59 | rc://*/ta/man/translate/figs-activepassive | a flock of newly shorn ewes | 0 | This can be translated in active form. Alternate translation: “a flock of ewes whose wool people have cut off” | |
224 | 4:2 | wc12 | rc://*/ta/man/translate/figs-explicit | coming up from the washing place | 0 | The ewes are coming up out of the water. Alternate translation: “that are coming up out of the water after people have washed them” | |
225 | 4:2 | jw1w | rc://*/ta/man/translate/figs-metaphor | Each one has a twin | 0 | Sheep usually give birth to two lambs at one time. These twin lambs usually look like one another. Each of the woman’s teeth has a matching tooth on the other side of her mouth. | |
226 | 4:2 | vl9d | none among them is bereaved | 0 | Each of the woman’s teeth has a matching tooth on the other side of her mouth. She has not lost any of her teeth. | ||
227 | 4:2 | sb14 | bereaved | 0 | lost a loved one who has died | ||
228 | 4:3 | t9kf | rc://*/ta/man/translate/figs-simile | are like a thread of scarlet | 0 | Scarlet is a beautiful red color, and scarlet thread was very expensive. The woman’s lips were red. Alternate translation: “are a deep red like scarlet thread” or “are red and very beautiful” | |
229 | 4:3 | v1ae | scarlet | 0 | a dark red color that is very similar to the color of blood | ||
230 | 4:3 | q1mk | is lovely | 0 | Alternate translation: “is beautiful” | ||
231 | 4:3 | j2a3 | rc://*/ta/man/translate/figs-simile | are like pomegranate halves | 0 | Pomegranates are smooth, round, and rich red. The man thinks the woman’s cheeks are beautiful and show that she is healthy. Alternate translation: “are red and round like two halves of a pomegranate” or “are red and full and healthy” | |
232 | 4:3 | y47i | behind your veil | 0 | See how you translated this in [Song of Songs 4:1](./01.md). | ||
233 | 4:4 | i3qt | rc://*/ta/man/translate/figs-simile | Your neck is like the tower of David | 0 | No one knows if this was a real tower. A tower is a tall, slender building, and saying that David built it implies that it was beautiful. The man considered the woman’s neck long and slender and so beautiful. Alternate translation: “Your neck is long and beautiful like the tower of David” | |
234 | 4:4 | v4ae | of David | 0 | Alternate translation: “that David built” | ||
235 | 4:4 | cq2q | rc://*/ta/man/translate/figs-metaphor | built in rows of stone | 0 | Women had necklaces that covered their entire necks with rows of decorations. The man compares these rows of decorations with the rows of stone on the tower. Alternate translation: “that has many rows of stone” (See also: [[rc://*/ta/man/translate/figs-activepassive]]) | |
236 | 4:4 | c4nk | rc://*/ta/man/translate/figs-metaphor | with a thousand shields | 0 | The man compares the decorations of the woman’s necklace with shields hanging on the tower. The necklace probably went around her neck many times. | |
237 | 4:4 | wgq3 | rc://*/ta/man/translate/translate-numbers | a thousand shields | 0 | “1,000 shields.” | |
238 | 4:4 | swd3 | all the shields of soldiers | 0 | Alternate translation: “all of the shields belong to mighty warriors” | ||
239 | 4:5 | f8qi | two breasts | 0 | If the word “two” seems unnecessary and so out of place, you could omit it. | ||
240 | 4:5 | ea9j | rc://*/ta/man/translate/figs-simile | like two fawns, twins of a gazelle | 0 | The man implies that the woman’s breasts are matching, soft, and perhaps small. | |
241 | 4:5 | wd7y | twins | 0 | the babies of a mother who gave birth to two babies at one time | ||
242 | 4:5 | gu86 | gazelle | 0 | an animal that looks like a deer and moves quickly. Translate as the singular of “gazelles” as in [Song of Songs 2:7](../02/07.md). | ||
243 | 4:5 | p33d | grazing among the lilies | 0 | “eating plants among the lilies.” While it is clear that the man “grazing among the lilies” is a metaphor for making love ([Song of Songs 2:16](../02/16.md)), it is not clear what these words refer to. It is best to translate them literally. | ||
244 | 4:5 | bb93 | lilies | 0 | sweet-smelling flowers that grow in places where there is much water. Translate as the plural of “lily” in [Song of Songs 2:1](../02/01.md). | ||
245 | 4:6 | y1xu | Until the dawn arrives and the shadows flee away | 0 | Translate similar wording in this line as you did the line in [Song of Songs 2:17](../02/16.md). | ||
246 | 4:6 | re83 | rc://*/ta/man/translate/figs-metaphor | I will go to the mountain of myrrh and to the hill of frankincense | 0 | The “mountain of myrrh” and “hill of frankincense” are metaphors for the woman’s breasts ([Song of Songs 1:13](../01/12.md)). Alternate translation: “I will lie close to your breasts, which are like mountains that smell like myrrh and frankincense” or “I will lie close to your breasts, which smell very sweet” or “I will go to the sweet-smelling mountains” | |
247 | 4:6 | bm4n | the mountain of myrrh | 0 | Alternate translation: “the mountain made of myrrh” or “the mountain that has myrrh growing on it” | ||
248 | 4:6 | ekc1 | the hill of frankincense | 0 | Alternate translation: “the hill where there are clouds of smoke from burning frankincense in the air” | ||
249 | 4:7 | wt7k | You are beautiful in every way | 0 | Alternate translation: “Every part of you is beautiful” or “All of you is beautiful” | ||
250 | 4:7 | l1xq | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md). | ||
251 | 4:7 | ci96 | there is no blemish in you | 0 | Alternate translation: “you have no blemish” | ||
252 | 4:8 | h4yw | from Lebanon | 0 | Alternate translation: “away from Lebanon” | ||
253 | 4:8 | j8s2 | my bride | 0 | This Hebrew word can refer to a woman who is married or to one whom a man has arranged to become his son’s wife. If your language has a polite word that a man would use to his wife and that has not been used yet in this book, you could use it here. Otherwise you could use any polite term a man would use with his wife. | ||
254 | 4:8 | m2km | rc://*/ta/man/translate/translate-names | Amana | 0 | the name of a mountain north of Israel | |
255 | 4:8 | ir9l | rc://*/ta/man/translate/translate-names | Senir | 0 | the name of a mountain near Amana and Hermon. Some people think that this refers to the same mountain as Hermon. | |
256 | 4:8 | ybd2 | dens | 0 | places where lions and leopards live, like caves or holes in the ground | ||
257 | 4:9 | d7n7 | rc://*/ta/man/translate/figs-idiom | You have stolen my heart | 0 | This idiom could mean: (1) “My heart now belongs completely to you” or (2) “I strongly desire to make love to you” | |
258 | 4:9 | vdf7 | rc://*/ta/man/translate/figs-idiom | my sister | 0 | This is an idiom of affection. They are not actually brother and sister. Alternate translation: “my dear” or “my darling” | |
259 | 4:9 | k4ah | my bride | 0 | This Hebrew word can refer to a woman who is married or to one whom a man has arranged to become his son’s wife. If your language has a polite word that a man would use to his wife and that has not been used yet in this book, you could use it here. Otherwise you could use any polite term a man would use with his wife. See how you translated this in [Song of Songs 4:8](./08.md). | ||
260 | 4:9 | d83s | heart, with just one look at me, with just one jewel | 0 | “heart. All you have to do is look at me once or show me just one jewel.” Both the woman’s eyes and her jewelry attract the man to her. | ||
261 | 4:9 | laj2 | necklace | 0 | This necklace probably went around her neck many times ([Song of Songs 4:4](./04.md)). | ||
262 | 4:10 | g6qt | How beautiful is your love | 0 | Alternate translation: “Your love is wonderful” | ||
263 | 4:10 | v1gy | rc://*/ta/man/translate/figs-idiom | my sister | 0 | This is an idiom of affection. They are not actually brother and sister. See how you translated this in [Song of Songs 4:9](./08.md). Alternate translation: “my dear” or “my darling” | |
264 | 4:10 | ibb8 | my bride | 0 | This Hebrew word can refer to a woman who is married or to one whom a man has arranged to become his son’s wife. If your language has a polite word that a man would use to his wife and that has not been used yet in this book, you could use it here. Otherwise you could use any polite term a man would use with his wife. See how you translated this in [Song of Songs 4:9](./08.md). | ||
265 | 4:10 | td9x | How much better is your love than wine | 0 | “Your love is much better than wine.” See how you translated a similar phrase in [Song of Songs 1:2](../01/01.md). | ||
266 | 4:10 | ts8k | rc://*/ta/man/translate/figs-ellipsis | the fragrance of your perfume than any spice | 0 | The verb may be supplied from the previous phrase. Alternate translation: “how much better is the fragrance of your perfume than the fragrance of any spice” | |
267 | 4:10 | wzb4 | fragrance … perfume | 0 | See how you translated these words in [Song of Songs 1:3](../01/01.md). | ||
268 | 4:10 | r5ni | spice | 0 | dried plants or seeds that have a good smell or taste | ||
269 | 4:11 | fw88 | rc://*/ta/man/translate/figs-metaphor | Your lips … drip honey | 0 | Possible meanings are that honey is a metaphor for (1) the sweet taste of the woman’s kisses or (2) the woman’s words. | |
270 | 4:11 | vc6y | rc://*/ta/man/translate/figs-metaphor | honey and milk are under your tongue | 0 | Because “milk and honey” is a common phrase in the Bible, you should translate literally. Possible meanings are that honey is a metaphor for: (1) the sweet taste of the woman’s kisses or (2) the woman’s words. Milk is a metaphor for luxury, owning many things that help people enjoy life. When the woman kisses the man, he enjoys life. | |
271 | 4:11 | nyc9 | the fragrance of your garments is like the fragrance of Lebanon | 0 | “the smell of your clothes is like the smell of Lebanon.” Many cedar trees grew in Lebanon. Cedar trees smell very good, so Lebanon would have smelled sweet and fresh. | ||
272 | 4:12 | whp4 | rc://*/ta/man/translate/figs-idiom | My sister | 0 | This is an idiom of affection. They are not actually brother and sister. See how you translated this in [Song of Songs 4:9](./09.md). Alternate translation: “My dear” or “My darling” | |
273 | 4:12 | nrw6 | my bride | 0 | This Hebrew word can refer to a woman who is married or to one whom a man has arranged to become his son’s wife. If your language has a polite word that a man would use to his wife and that has not been used yet in this book, you could use it here. Otherwise you could use any polite term a man would use with his wife. See how you translated this in [Song of Songs 4:9](./09.md). | ||
274 | 4:12 | j45u | rc://*/ta/man/translate/figs-metaphor | is a garden locked up | 0 | “is a garden that no one can enter.” The garden is a metaphor for the woman, and the lock is a metaphor for her still being a virgin. | |
275 | 4:12 | i5nb | rc://*/ta/man/translate/figs-metaphor | a spring that is sealed | 0 | “a spring with a cover on it.” The spring or well is a metaphor for the woman, and the cover is a metaphor for her being a virgin. | |
276 | 4:13 | uvg6 | rc://*/ta/man/translate/figs-euphemism | Your branches | 0 | branches or channels of rivers, a clear euphemism for the female body part. If any reference to this would be offensive, translate it as a synecdoche for the whole person. Alternate translation: “You” (See also: [[rc://*/ta/man/translate/figs-synecdoche]]) | |
277 | 4:13 | i3mi | a grove | 0 | a place where many trees grow together | ||
278 | 4:13 | eji6 | with choice fruits | 0 | Alternate translation: “with the best kinds of fruits” | ||
279 | 4:13 | q938 | rc://*/ta/man/translate/translate-unknown | נְרָדִֽים | 1 | See how you translated the word **nard** in [1:12](../01/12.md). | |
280 | 4:14 | e6n8 | rc://*/ta/man/translate/translate-unknown | נֵ֣רְדְּ | 1 | See how you translated the word **nard** in [1:12](../01/12.md). | |
281 | 4:13 | dju5 | henna | 0 | small desert trees that people used as a perfume. See how you translated this in [Song of Songs 1:14](../01/12.md). | ||
282 | 4:14 | dxj9 | saffron | 0 | a spice that comes from the dried parts from the yellow thread in the center of a certain flower | ||
283 | 4:14 | ujr7 | calamus | 0 | a reed with a pleasant smell that people used to make anointing oil. | ||
284 | 4:14 | w1cm | cinnamon | 0 | a spice made from the bark of a tree that people used for cooking | ||
285 | 4:14 | kx8c | myrrh | 0 | See how you translated this in [Song of Songs 1:13](../01/12.md). | ||
286 | 4:14 | bm3m | aloes | 0 | a type of large plant that had a very sweet smell | ||
287 | 4:14 | p646 | all the finest spices | 0 | Alternate translation: “all the best spices” | ||
288 | 4:15 | z2an | rc://*/ta/man/translate/figs-metaphor | You are a garden spring | 0 | “You are a spring in a garden.” A garden spring gives sweet, clean water that people enjoy drinking. The man enjoys being close to the woman. | |
289 | 4:15 | t9ch | fresh water | 0 | water that is good to drink | ||
290 | 4:15 | zl7c | streams flowing down from Lebanon | 0 | Because Lebanon had mountains covered with trees, the streams from Lebanon were clean and cool. | ||
291 | 4:16 | jv5g | rc://*/ta/man/translate/figs-personification | Awake, north wind; come, south wind; blow | 0 | The woman speaks to the north wind and the south wind as though they were people. Alternate translation: “I wish the north wind and south wind would come and blow” | |
292 | 4:16 | x71g | Awake, north wind | 0 | Alternate translation: “North wind, start blowing” | ||
293 | 4:16 | l273 | rc://*/ta/man/translate/figs-metaphor | blow on my garden | 0 | The garden is a metaphor for her body, which she has covered with sweet-smelling oils ([Song of Songs 4:14](./12.md)). | |
294 | 4:16 | kdi9 | may give off their fragrance | 0 | Alternate translation: “may send out their good smells” | ||
295 | 4:16 | lqh1 | rc://*/ta/man/translate/figs-metaphor | May my beloved … choice fruit | 0 | The woman is inviting the man to make love to her. | |
296 | 4:16 | dp46 | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
297 | 4:16 | mbn7 | choice fruit | 0 | Alternate translation: “wonderful fruit” | ||
298 | 5:intro | kdw4 | 0 | # Song of Songs 5 General Notes\n\n## Structure and formatting\n\nVerses 2–7 describe a dream the woman had.\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same standards of beauty.\n\n## Important figures of speech in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n## Other possible translation difficulties in this chapter\n\n### “My sister, my bride”\nThe woman described is not the sister of her husband. They are not related. Instead, this is a reference to a woman who is a fellow Israelite. | |||
299 | 5:1 | zka3 | rc://*/ta/man/translate/writing-poetry | 0 | # General Information:\n\n(See also: [[rc://*/ta/man/translate/figs-parallelism]]) | ||
300 | 5:1 | m575 | I have come | 0 | It is clearly the woman’s lover who is speaking. | ||
301 | 5:1 | f2qr | rc://*/ta/man/translate/figs-metaphor | have come into my garden | 0 | The word “garden” is a metaphor for the woman. The man is finally able to fully enjoy the woman as they make love. (See also: [[rc://*/ta/man/translate/figs-euphemism]]) | |
302 | 5:1 | tgd7 | rc://*/ta/man/translate/figs-idiom | my sister | 0 | This is an idiom of affection. They are not actually brother and sister. See how you translated this in [Song of Songs 4:9](../04/08.md). Alternate translation: “my dear” or “my darling” | |
303 | 5:1 | psq4 | my bride | 0 | This Hebrew word can refer to a woman who is married or to one whom a man has arranged to become his son’s wife. If your language has a polite word that a man would use to his wife and that has not been used yet in this book, you could use it here. Otherwise you could use any polite term a man would use with his wife. See how you translated this in [Song of Songs 4:9](../04/08.md). | ||
304 | 5:1 | lgr1 | rc://*/ta/man/translate/figs-metaphor | myrrh … spice … honeycomb … honey … wine … milk | 0 | These are all metaphors for the man enjoying the woman’s body ([Song of Songs 1:13](../01/12.md), [Song of Songs 2:4](../02/03.md), [Song of Songs 4:11](../04/10.md), and [Song of Songs 4:14](../04/12.md)). | |
305 | 5:1 | sq9d | spice | 0 | plants that have a strong smell or taste | ||
306 | 5:1 | i16q | rc://*/ta/man/translate/figs-metaphor | Eat … drink … be drunk with love | 0 | Eating and drinking are metaphors for making love. Alternate translation: “Make love … make love … make love until you are fully satisfied” | |
307 | 5:2 | a7v6 | rc://*/ta/man/translate/figs-euphemism | 0 | # General Information:\n\nThe fourth part of the book begins here. The young woman uses euphemisms to describe her dream so that it can be interpreted in two different ways: (1) the woman describes a dream about a night when the man came to visit her at her house; and (2) the woman describes a dream about starting to sleep with the man. | ||
308 | 5:2 | biy3 | rc://*/ta/man/translate/figs-idiom | but my heart was awake | 0 | The heart is the center of thought and feeling. Alternate translation: “but I could think clearly” or “but I knew what I was feeling” | |
309 | 5:2 | tk43 | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
310 | 5:2 | qjv8 | rc://*/ta/man/translate/figs-explicit | Open to me | 0 | This could mean: (1) literal, “Open the door for me,” or (2) metaphorical, “Let me make love to you.” (See also: [[rc://*/ta/man/translate/figs-metaphor]]) | |
311 | 5:2 | rx38 | rc://*/ta/man/translate/figs-idiom | my sister | 0 | This is an idiom of affection. They are not actually brother and sister. See how you translated this in [Song of Songs 4:9](../04/09.md). Alternate translation: “my dear” or “my darling” | |
312 | 5:2 | d52k | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md). | ||
313 | 5:2 | c27j | my dove | 0 | See how you translated this in [Song of Songs 2:14](../02/14.md). | ||
314 | 5:2 | gaj1 | undefiled one | 0 | Alternate translation: “my perfect one” or “my faithful one” or “my innocent one” | ||
315 | 5:2 | yh2r | dew | 0 | drops of water or mist that form as the night becomes cool | ||
316 | 5:2 | d3gt | rc://*/ta/man/translate/figs-ellipsis | my hair with the night’s dampness | 0 | The words “is wet” are understood from the previous phrase. They can be repeated here. Alternate translation: “my hair is wet with the night’s dampness” | |
317 | 5:3 | tr8w | rc://*/ta/man/translate/figs-quotations | “I have taken off my robe … dirty?” | 0 | This is what the woman thought to herself when she heard the man speak. ([Song of Songs 5:2](./02.md)). This could be translated with the woman saying that this is what she was thinking, or the woman could just explain the situation and her thoughts as in the UST. Alternate translation: “I thought to myself, ‘I have taken off my robe … dirty?’” or “I had taken off my robe and I did not want to put it on again. I had washed my feet and I did not want to get them dirty.” | |
318 | 5:3 | am4r | robe | 0 | thin linen clothing that people wore on their skin | ||
319 | 5:3 | g6z2 | rc://*/ta/man/translate/figs-rquestion | must I put it on again? | 0 | If it would be helpful in your language, you could express this question as a statement. Alternate translation: “I do not want to put it on again.” | |
320 | 5:3 | r5cm | rc://*/ta/man/translate/figs-euphemism | I have washed my feet | 0 | While the word “feet” can be a euphemism for private parts, this probably refers to literal feet. The woman seems more likely to want to make love than to want to refrain from lovemaking because she has just bathed. | |
321 | 5:3 | h4w3 | must I get them dirty? | 0 | If it would be helpful in your language, you could express this question as a statement. Alternate translation: “I do not want to get them dirty.” | ||
322 | 5:4 | w3ff | rc://*/ta/man/translate/figs-euphemism | My beloved put in his hand through the opening of the door latch | 0 | Possible interpretations are: (1) literal, the lover reaches into the house through a hole in the door in order to open the door or (2) euphemisic, they have begun to make love. | |
323 | 5:4 | hqn5 | My beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “My dear one” or “My lover” | ||
324 | 5:4 | nns1 | door latch | 0 | Alternate translation: “door lock” | ||
325 | 5:5 | w3k2 | rc://*/ta/man/translate/figs-metaphor | I got up to open the door for my beloved | 0 | This could mean: (1) literal, the young woman got out of bed in order to let the man into the house, or (2) metaphorical. Alternate translation: “I prepared myself to make love with my beloved” | |
326 | 5:5 | q3qx | rc://*/ta/man/translate/figs-euphemism | my hands … my fingers … door handle | 0 | While these may be euphemisms for the woman’s and man’s bodies, it is best to translate literally. | |
327 | 5:5 | ycr1 | with moist myrrh | 0 | Alternate translation: “with liquid myrrh” | ||
328 | 5:6 | b7qk | my beloved | 0 | See how you translated this in [Song of Songs 1:13](../01/12.md). | ||
329 | 5:6 | z8na | rc://*/ta/man/translate/figs-metaphor | My heart sank | 0 | The heart is a metaphor for the person, and sinking, going down, is a metaphor for becoming weak or sad. Alternate translation: “I was very sad” | |
330 | 5:7 | a9yk | The watchmen | 0 | men who have the job of keeping guard of the town at night to keep the people safe. See how you translated this in [Song of Songs 3:3](../03/03.md). | ||
331 | 5:7 | rqq4 | as they were making their rounds in the city | 0 | “who were walking around the city on the walls.” See how you translated this in [Song of Songs 3:3](../03/03.md). | ||
332 | 5:7 | v79f | found me | 0 | found the woman | ||
333 | 5:7 | zhf3 | struck me | 0 | Alternate translation: “beat me” or “hit me” | ||
334 | 5:7 | q2vt | wounded me | 0 | Alternate translation: “injured me” | ||
335 | 5:7 | euu8 | the guards on the walls | 0 | Alternate translation: “the men who guard the walls” | ||
336 | 5:7 | h38e | cloak | 0 | a garment that people wore over the other clothing on their upper body when they went outdoors in public | ||
337 | 5:8 | czu7 | I want you to swear | 0 | See how you translated this in [Song of Songs 2:7](../02/07.md). | ||
338 | 5:8 | j8ub | rc://*/ta/man/translate/figs-apostrophe | daughters of Jerusalem | 0 | “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her. See how you translated this in [Song of Songs 2:7](../02/07.md). | |
339 | 5:8 | w1ul | rc://*/ta/man/translate/figs-rquestion | my beloved—What will you make known to him?—that I am | 0 | The woman uses a question to introduce what she wants the daughters of Jerusalem to tell her beloved. Alternate translation: “my beloved, this is what I want you to say to him: tell him that” | |
340 | 5:8 | v5m3 | rc://*/ta/man/translate/figs-metaphor | sick from love | 0 | She loves the man so strongly that she feels sick. | |
341 | 5:9 | kr5i | your beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for the other women to refer to him as “your lover.” See how you translated “my beloved” in [Song of Songs 1:13](./12.md). Alternate translation: “your dear one” or “your lover” | ||
342 | 5:9 | eap5 | most beautiful among women | 0 | “you who are the most beautiful of all women.” See how you translated this in [Song of Songs 1:8](../01/08.md). | ||
343 | 5:9 | vbc6 | Why is your beloved better | 0 | Alternate translation: “What makes your beloved better” | ||
344 | 5:9 | rfp3 | that you ask us to take an oath like this | 0 | Alternate translation: “and causes you to have us take this oath” | ||
345 | 5:9 | zp43 | an oath like this | 0 | the oath in [Song of Songs 5:8](./08.md) | ||
346 | 5:10 | qb4q | My beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “My dear one” or “My lover” | ||
347 | 5:10 | xuy2 | rc://*/ta/man/translate/figs-explicit | is radiant and ruddy | 0 | This phrase refers to his complexion. Alternate translation: “has radiant and ruddy skin” | |
348 | 5:10 | za1u | radiant | 0 | “is completely healthy” or “is pure.” The man has skin that does not have any problems. | ||
349 | 5:10 | rgj8 | ruddy | 0 | a healthy color of the skin that is brownish red | ||
350 | 5:10 | hms2 | rc://*/ta/man/translate/figs-metaphor | outstanding among ten thousand | 0 | “the best of 10,000.” Alternate translation: “better than anyone else” or “no one else is like him.” (See also: [[rc://*/ta/man/translate/translate-numbers]]) | |
351 | 5:11 | s23z | rc://*/ta/man/translate/figs-metaphor | His head is the purest gold | 0 | The man’s head is as precious to the woman as the purest gold. | |
352 | 5:11 | m1w4 | rc://*/ta/man/translate/figs-simile | a raven | 0 | a bird with very black feathers | |
353 | 5:12 | m6e7 | rc://*/ta/man/translate/figs-metonymy | His eyes are like doves | 0 | Translate “eyes are like doves” as in [Song of Songs 1:15](../01/15.md). This could mean: (1) the Israelites considered doves to be gentle and soft birds, and the woman considers the man’s eyes beautiful because the way the man looks at her makes her think he is gentle. Alternate translation: “His eyes are gentle like doves” or (2) the woman is speaking of the man’s white eyeballs or the shape of his eyes, the shape of a dove. | |
354 | 5:12 | knr8 | rc://*/ta/man/translate/figs-metaphor | doves beside streams of water | 0 | Birds that the Israelites considered gentle sitting beside a gently flowing stream are a metaphor for a gentle person. | |
355 | 5:12 | xp2d | streams of water | 0 | Alternate translation: “gently flowing water” | ||
356 | 5:12 | tr46 | rc://*/ta/man/translate/figs-metaphor | bathed in milk | 0 | Milk is a metaphor for the whiteness of the doves. Alternate translation: (1) “doves that are white like milk” or (2) milk is a metaphor for the white part of the man’s eyes. Alternate translation: “his pupils are like doves bathing in white milk” | |
357 | 5:12 | qe85 | rc://*/ta/man/translate/figs-simile | mounted like jewels | 0 | His eyes are beautiful. Jewels that a craftsman has carefully put in place are beautiful. | |
358 | 5:13 | ip4j | rc://*/ta/man/translate/figs-simile | His cheeks … aromatic scents | 0 | This explains that his cheeks are like beds of spices because they both give off wonderful smells. | |
359 | 5:13 | mtt8 | rc://*/ta/man/translate/figs-metaphor | beds of spices | 0 | gardens or parts of gardens where people grow spices. Spices give people pleasure. The man’s body gives the woman pleasure. | |
360 | 5:13 | mem2 | yielding aromatic scents | 0 | Alternate translation: “that give off wonderful smells.” | ||
361 | 5:13 | a4hu | rc://*/ta/man/translate/figs-metaphor | His lips are lilies | 0 | The woman probably compares his lips with lilies because they are beautiful and smell wonderful. | |
362 | 5:13 | t4f1 | lilies | 0 | See how you translated this in [Song of Songs 2:16](../02/16.md). | ||
363 | 5:13 | x8c2 | rc://*/ta/man/translate/figs-metaphor | dripping liquid myrrh | 0 | “that drip with the best myrrh.” His lips are moist and have a wonderful smell like myrrh. | |
364 | 5:14 | nl6y | rc://*/ta/man/translate/figs-metaphor | His arms are rounded gold set with jewels | 0 | “His arms are cylinders of gold that have jewels all over them.” The woman uses this image to say that his arms are beautiful and precious. The first readers would have understood this as a metaphor for the male body part ([Song of Songs 5:3](./03.md)), but this would be difficult to bring out in translation. | |
365 | 5:14 | bg51 | rc://*/ta/man/translate/figs-metaphor | his abdomen is ivory covered with sapphires | 0 | “his belly is smooth ivory that has sapphires all over it.” The woman uses this image to say that his belly is beautiful and precious. | |
366 | 5:14 | k5ga | ivory | 0 | the white tusk or tooth of an animal that is similar to bone. People use ivory to make smooth and shiny pieces of art. | ||
367 | 5:14 | ws92 | sapphires | 0 | valuable stones that are either: (1) blue or (2) clear and either blue or golden | ||
368 | 5:15 | i1xz | rc://*/ta/man/translate/figs-metaphor | His legs are pillars of marble, set on bases of pure gold | 0 | Marble and gold are strong and beautiful. | |
369 | 5:15 | juu1 | marble | 0 | a very strong stone that has many different colors and that people polish to make very smooth | ||
370 | 5:15 | z75c | rc://*/ta/man/translate/figs-simile | his appearance is like Lebanon | 0 | “he looks like Lebanon.” Lebanon was a very beautiful area with many mountains and cedar trees. | |
371 | 5:16 | sc8p | rc://*/ta/man/translate/figs-metonymy | His mouth is most sweet | 0 | The mouth is a metonym for either: (1) the man’s sweet kisses or (2) the sweet words that he says. | |
372 | 5:16 | w3vr | he is completely lovely | 0 | Alternate translation: “every part of him is lovely” or “all of him is lovely” | ||
373 | 5:16 | pi1a | This is my beloved, and this is my friend | 0 | The word “This” refers to the man that the woman has just finished describing. Alternate translation: “That is what the one I love is like, and that is what my friend is like” | ||
374 | 5:16 | zd7b | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
375 | 5:16 | r6zc | rc://*/ta/man/translate/figs-apostrophe | daughters of Jerusalem | 0 | “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her. See how you translated this in [Song of Songs 2:7](../02/07.md). | |
376 | 6:intro | fa9a | 0 | # Song of Songs 6 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same standards of beauty.\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]]) | |||
377 | 6:1 | z4sf | rc://*/ta/man/translate/writing-poetry | 0 | # General Information:\n\nThe fifth part of the book begins here. (See also: [[rc://*/ta/man/translate/figs-parallelism]]) | ||
378 | 6:1 | xnv3 | In what direction has your beloved gone | 0 | Alternate translation: “Which way did your beloved go” | ||
379 | 6:1 | wr5y | your beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for the other women to refer to him as “your lover.” See how you translated “my beloved” in [Song of Songs 1:13](./12.md). Alternate translation: “your dear one” or “your lover” or “the man you love” | ||
380 | 6:1 | emy4 | most beautiful among women | 0 | “you who are the most beautiful of all women.” See how you translated this in [Song of Songs 1:8](../01/08.md). | ||
381 | 6:1 | ise2 | rc://*/ta/man/translate/figs-explicit | gone, so that we may seek him with you? | 0 | The words “tell us” are understood from the context. They can be stated clearly Alternate translation: “gone? Tell us, so that we can look for him with you.” | |
382 | 6:2 | vrq9 | rc://*/ta/man/translate/figs-metaphor | My beloved has gone down to his garden | 0 | The word “garden” is a metaphor for the woman. The man is finally able to fully enjoy the woman as they make love. See the explanation of this metaphor in [Song of Songs 5:1](../05/01.md). (See also: [[rc://*/ta/man/translate/figs-euphemism]]) | |
383 | 6:2 | v5x3 | rc://*/ta/man/translate/figs-metaphor | beds of spices | 0 | gardens or parts of gardens where people grow spices. See how you translated this in [Song of Songs 5:13](../05/13.md). | |
384 | 6:2 | w7gn | rc://*/ta/man/translate/figs-metaphor | to graze in the garden and to gather lilies | 0 | These words are metaphors for the man enjoying her body. | |
385 | 6:2 | st2n | rc://*/ta/man/translate/figs-metaphor | graze | 0 | “feeds” or “eats grass.” The woman speaks of the man as if he were “a gazelle or a young stag” ([Song of Songs 2:17](../02/16.md)) that eats plants among the lilies. Grazing is probably a metaphor for lovemaking ([Song of Songs 2:1–2](../02/01.md)). See how you translated “he grazes” in [Song of Songs 2:16](../02/16.md). | |
386 | 6:2 | e94c | to gather lilies | 0 | Alternate translation: “to pick lilies” | ||
387 | 6:2 | gp6q | lilies | 0 | sweet-smelling flowers that grow in places where there is much water. Translate as the plural of “lily” in [Song of Songs 2:1](../02/01.md). | ||
388 | 6:3 | z5rf | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
389 | 6:3 | lr7w | I am my beloved’s, and my beloved is mine | 0 | See how you translated the similar phrase “My beloved is mine, and I am his” in [Song of Songs 2:16](../02/16.md). | ||
390 | 6:3 | p4l4 | he grazes among the lilies with pleasure | 0 | See how you translated this in [Song of Songs 2:16](../02/16.md). | ||
391 | 6:4 | q66q | 0 | # General Information:\n\nHere begins Part Five of the book | |||
392 | 6:4 | xk88 | rc://*/ta/man/translate/figs-simile | as beautiful as Tirzah, my love, as lovely as Jerusalem | 0 | These cities were famous for being beautiful and pleasant to be in. The man thinks the woman is beautiful, and he takes pleasure in being with her. | |
393 | 6:4 | nj8w | my love | 0 | “you whom I love.” See how you translated this in [Song of Songs 1:9](../01/09.md). | ||
394 | 6:4 | rjr5 | lovely | 0 | See how you translated this in [Song of Songs 1:5](../01/05.md). | ||
395 | 6:4 | uwd8 | as awe-inspiring as an army with its banners | 0 | The beauty of the woman is so powerful that it makes the man feel helpless, as if an army were approaching him. | ||
396 | 6:5 | e85g | overwhelm me | 0 | “terrify me.” The eyes of the woman are so beautiful that it makes the man feel weak and afraid because he cannot resist their power. | ||
397 | 6:5 | lbz1 | Your hair … from the slopes of Gilead | 0 | Translate “Your hair … from Mount Gilead” as in [Song of Songs 4:1](../04/01.md). | ||
398 | 6:6 | lxi1 | rc://*/ta/man/translate/figs-simile | Your teeth are like a flock of ewes | 0 | After sheep have their wool cut off, they are washed and their skin looks very white. The woman’s teeth are white. See how “Your teeth are like a flock of newly shorn ewes” is translated in [Song of Songs 4:2](../04/02.md). | |
399 | 6:6 | j7se | rc://*/ta/man/translate/figs-explicit | coming up from the washing place | 0 | The ewes are coming up out of the water. See how you translated this in [Song of Songs 4:2](../04/02.md). Alternate translation: “that are coming up out of the water after people have washed them” | |
400 | 6:6 | x7hr | rc://*/ta/man/translate/figs-metaphor | Each one has a twin | 0 | Sheep usually give birth to two lambs at one time. These twin lamb usually look like one another. Each of the woman’s teeth has a matching tooth on the other side of her mouth. See how you translated this in [Song of Songs 4:2](../04/02.md). | |
401 | 6:6 | s4qj | none among them is bereaved | 0 | Each of the woman’s teeth has a matching tooth on the other side of her mouth. She has not lost any of her teeth. See how you translated this in [Song of Songs 4:2](../04/02.md). | ||
402 | 6:6 | j4u3 | bereaved | 0 | lost a loved one who has died. See how you translated this in [Song of Songs 4:2](../04/02.md). | ||
403 | 6:7 | zid1 | rc://*/ta/man/translate/figs-simile | are like pomegranate halves | 0 | Pomegranates are smooth, round, and rich red. The man thinks the woman’s cheeks are beautiful and show that she is healthy. See how you translated this in [Song of Songs 4:3](../04/03.md). Alternate translation: “are red and round like two halves of a pomegranate” or “are red and full and healthy” | |
404 | 6:7 | z88b | behind your veil | 0 | See how you translated this in [Song of Songs 4:1](../04/01.md). | ||
405 | 6:8 | g963 | rc://*/ta/man/translate/translate-numbers | There are sixty queens, eighty concubines … young women without number | 0 | These numbers are to be large, then larger, and then beyond counting. Alternate translation: “There are 60 queens, 80 concubines … more young women than anyone could count” or “There are many queens, even more concubines, and more young women than anyone could count” (See also: [[rc://*/ta/man/translate/figs-idiom]]) | |
406 | 6:9 | a2hh | rc://*/ta/man/translate/figs-metaphor | My dove | 0 | The Israelites considered doves beautiful birds with pleasant voices. The man thinks the woman’s face and voice are beautiful. If calling a woman a “dove” would be offensive, you could leave out the metaphor. See how you translated this in [Song of Songs 2:14](../02/14.md). Alternate translation: “You beautiful woman” | |
407 | 6:9 | dk9e | my undefiled | 0 | “my perfect one” or “my faithful one” or “my innocent one.” See how you translated this in [Song of Songs 5:2](../05/02.md). | ||
408 | 6:9 | m138 | rc://*/ta/man/translate/figs-hyperbole | the only daughter of her mother | 0 | This is an exaggeration. Alternate translation: “her mother’s special daughter” or “completely different from her mother’s other daughters” | |
409 | 6:9 | tej6 | the woman who bore her | 0 | “the woman who gave birth to her.” This phrase refers to her mother. | ||
410 | 6:9 | wmx6 | young women … queens … concubines | 0 | the women spoken of in [Song of Songs 6:8](./08.md). | ||
411 | 6:9 | al8y | called her blessed | 0 | Alternate translation: “said that things had gone especially well for her” | ||
412 | 6:10 | cw4k | 0 | # General Information:\n\nThe ULT understands this to be what the queens and the concubines said about the woman. However, some versions understand these to be the words of the man. | |||
413 | 6:10 | g6e9 | rc://*/ta/man/translate/figs-rquestion | Who is this who appears like the dawn … banners? | 0 | They are using this question to say that they think the young woman is amazing. Alternate translation: “This is an amazing woman! She comes into view like the dawn … banners!” | |
414 | 6:10 | y3dp | rc://*/ta/man/translate/figs-simile | who appears like the dawn | 0 | The dawn is beautiful. The woman is beautiful. Alternate translation: “who comes into view like the dawn” | |
415 | 6:10 | vb8c | rc://*/ta/man/translate/figs-simile | as awe-inspiring as an army with its banners | 0 | The beauty of the woman is so powerful that it makes the other women feel helpless, as if an army were approaching them. See how you translated this in [Song of Songs 6:4](./04.md). | |
416 | 6:11 | x84j | rc://*/ta/man/translate/figs-metaphor | 0 | # General Information:\n\nThe man finishes speaking to himself. Looking to see if plants had matured is probably a metaphor for enjoying the sight of the woman’s body. | ||
417 | 6:11 | xmc2 | grove | 0 | See how you translated this in [Song of Songs 4:13](../04/12.md). | ||
418 | 6:11 | vs9r | young growth | 0 | Alternate translation: “young plants” or “new shoots” | ||
419 | 6:11 | qw4q | had budded | 0 | “had grown their buds.” Buds are the small round parts of plants which open up into flowers. | ||
420 | 6:11 | w8xh | were in bloom | 0 | Alternate translation: “were opening their flowers” | ||
421 | 6:12 | lt9y | rc://*/ta/man/translate/figs-simile | I was so happy that I felt I was riding in the chariot of a prince | 0 | The man uses this image to express how happy he is. | |
422 | 6:13 | u681 | 0 | # General Information:\n\nThis is 7:1, the first verse of chapter seven, in some versions. The ULT understands this to be the friends and the woman talking to each other. Some versions understand this to be the man speaking to the woman. | |||
423 | 6:13 | sm5j | rc://*/ta/man/translate/figs-pronouns | Turn back … gaze on you | 0 | Possible meanings here are: (1) the friends are speaking to the woman or (2) the man is referring to himself in plural. | |
424 | 6:13 | x9hk | Turn back, turn back | 0 | “Come back, come back.” This is repeated for emphasis. | ||
425 | 6:13 | za54 | rc://*/ta/man/translate/figs-pronouns | we may gaze | 0 | Some versions understand the plural to refer to the man speaking of himself. Alternate translation: “I may gaze” | |
426 | 6:13 | c258 | gaze | 0 | look intently for a long time | ||
427 | 6:13 | e2bm | rc://*/ta/man/translate/figs-pronouns | Why do you gaze on the perfect woman … armies | 0 | Possible meanings here are: (1) the woman refers to herself as another person and is speaking to the friends or (2) the woman is speaking to the man as if he were many men. | |
428 | 6:13 | iqb9 | as if on the dance between two armies | 0 | Alternate translation: “as if she were dancing between two armies” | ||
429 | 7:intro | hqv7 | 0 | # Song of Songs 7 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same the same standards of beauty.\n\n## Important figures of speech in this chapter\n\n### Similes\n\nThere are many similes in this chapter. Their purpose is to describe the beauty of the woman. (See: [[rc://*/ta/man/translate/figs-simile]]) | |||
430 | 7:1 | z7jk | 0 | # General Information:\n\nThis is 7:2, the second verse of chapter seven, in some versions. | |||
431 | 7:1 | v8jn | rc://*/ta/man/translate/figs-explicit | How beautiful your feet appear in your sandals | 0 | It may be that the woman is dancing ([Song of Songs 6:13](../06/13.md)). Alternate translation: “Your feet are so very beautiful in your sandals as you dance” | |
432 | 7:1 | k8va | prince’s daughter | 0 | Another possible interpretation is “you who have a noble character.” | ||
433 | 7:1 | e9bd | rc://*/ta/man/translate/figs-simile | The curves of your thighs are like jewels | 0 | The shape of the woman’s thighs remind the speaker of a beautiful precious stone that a skilled workman has carved. Alternate translation: “The curves of your thighs are beautiful like the beautiful curves of jewel that a skilled craftsman has made” | |
434 | 7:1 | xs8e | your thighs | 0 | The word “thighs” refers to the hips of a woman and the part of her legs that is above her knee. | ||
435 | 7:1 | fc12 | rc://*/ta/man/translate/figs-synecdoche | the work of the hands of a master craftsman | 0 | The hands are a synecdoche for the person. Alternate translation: “the work of a master craftsman” or “something that a master craftsman has made” | |
436 | 7:2 | u88e | rc://*/ta/man/translate/figs-simile | Your navel is like a round bowl | 0 | A bowl is round. The woman’s navel is round. | |
437 | 7:2 | dp5a | navel | 0 | the spot on the stomach left from the cord that attaches a baby to its mother | ||
438 | 7:2 | n59p | rc://*/ta/man/translate/figs-metaphor | may it never lack mixed wine | 0 | People used large bowls to mix wine with water or spices at feasts. Drinking wine is a metaphor for enjoying beauty. The litotes can be translated as a positive. Alternate translation: “may it always contain mixed wine” or “may I always enjoy its beauty” (See also: [[rc://*/ta/man/translate/figs-litotes]]) | |
439 | 7:2 | q8fy | rc://*/ta/man/translate/figs-simile | Your belly is like a mound of wheat encircled with lilies | 0 | The Israelites thought mounds of wheat and lilies were pleasant to look at. Much wheat was a sign that there would be much food to eat. They threshed wheat in high, dry places, and lilies grow in low, wet places, so this simile combines beautiful sights that people would not usually see at the same time. | |
440 | 7:2 | w6nh | rc://*/ta/man/translate/figs-simile | Your belly is like a mound of wheat | 0 | People thought that the color of wheat was the most beautiful color of skin and that round piles of wheat were beautiful. Alternate translation: “Your belly has a beautiful color and is round like a pile of wheat” | |
441 | 7:2 | ah1p | a mound of wheat | 0 | This is a pile of the grains of wheat after people remove the parts of it that they do not use. | ||
442 | 7:2 | cz8d | encircled with lilies | 0 | Alternate translation: “with lilies all around it” | ||
443 | 7:2 | ue5r | lilies | 0 | sweet-smelling flowers that grow in places where there is much water. Translate as the plural of “lily” in [Song of Songs 2:1](../02/01.md). | ||
444 | 7:3 | jw6n | two breasts | 0 | If the word “two” seems unnecessary and so out of place, you could omit it. See how you translated this in [Song of Songs 4:5](../04/04.md). | ||
445 | 7:3 | ugf3 | rc://*/ta/man/translate/figs-simile | like two fawns, twins of a gazelle | 0 | The man implies that the woman’s breasts are matching, soft, and perhaps small. See how you translated this in [Song of Songs 4:5](../04/04.md). | |
446 | 7:3 | jh3u | twins | 0 | the babies of a mother who gave birth to two babies at one time. See how you translated this in [Song of Songs 4:5](../04/04.md). | ||
447 | 7:3 | wr8t | gazelle | 0 | an animal that looks like a deer and moves quickly. Translate as the singular of “gazelles” as in [Song of Songs 2:7](../02/07.md). | ||
448 | 7:4 | uv17 | rc://*/ta/man/translate/figs-simile | Your neck is like a tower of ivory | 0 | A tower is long and straight. Ivory is white. The woman’s neck is long and straight, and her skin is light in color. | |
449 | 7:4 | b1sy | a tower of ivory | 0 | Alternate translation: “a tower that people have decorated with ivory” | ||
450 | 7:4 | xgt7 | ivory | 0 | the white tusk or tooth of an animal that is similar to bone. People use ivory to make art and to make things look beautiful. | ||
451 | 7:4 | h4ih | rc://*/ta/man/translate/figs-metaphor | your eyes are the pools in Heshbon | 0 | The woman’s eyes are spoken of as if they are clear pools of water. Pools of water are clear and sparkle in the sunlight and so are pleasant to look at. The woman’s eyes are clear and sparkle and so are pleasant to look at. This can be stated as a simile. Alternate translation: “your eyes are as clear as the pools in Heshbon” (See also: [[rc://*/ta/man/translate/figs-simile]]) | |
452 | 7:4 | md6s | rc://*/ta/man/translate/translate-names | Heshbon | 0 | This is the name of a city east of the Jordan River | |
453 | 7:4 | r1vf | rc://*/ta/man/translate/translate-names | Bath Rabbim | 0 | This is the name of a city. | |
454 | 7:4 | a4vg | rc://*/ta/man/translate/figs-simile | nose is like the tower in Lebanon | 0 | A tower is tall and straight, and her nose is tall and straight. | |
455 | 7:4 | s23k | rc://*/ta/man/translate/figs-metonymy | that looks toward Damascus | 0 | The tower looking is a metonym for people on the tower looking. Alternate translation: “that allows people to look toward Damascus” | |
456 | 7:5 | jn22 | rc://*/ta/man/translate/figs-simile | Your head is on you like Carmel | 0 | Mount Carmel is higher than everything else around it. The man wants to look at the woman’s head more than at anything else. Alternate translation: “Your head is on you like a crown, higher than anything else” | |
457 | 7:5 | sr83 | dark purple | 0 | Other possible translations are: (1) “dark black” or (2) “dark red.” | ||
458 | 7:5 | hkk7 | rc://*/ta/man/translate/figs-metaphor | The king is held captive by its tresses | 0 | This can be translated in active form. Alternate translation: “Your hair that hangs down is so beautiful that the king is not able to stop admiring it” (See also: [[rc://*/ta/man/translate/figs-activepassive]]) | |
459 | 7:5 | l5e5 | tresses | 0 | the clusters of hair that hang down from a woman’s head | ||
460 | 7:6 | hqx3 | my love, with delights | 0 | Alternate translation: “my love. You delight me” | ||
461 | 7:7 | j31f | 0 | # General Information:\n\nThe man describes what he would like to do with the woman . | |||
462 | 7:7 | jy1s | rc://*/ta/man/translate/figs-simile | Your height is like that of a date palm tree | 0 | “You stand up like a date palm tree.” Date palm trees are tall and straight, and their branches are only at the top, with the fruit under the branches. | |
463 | 7:7 | f6me | date palm tree | 0 | a tall, straight tree that produces a sweet, brown, and sticky fruit that grows in groups | ||
464 | 7:7 | jr1v | rc://*/ta/man/translate/figs-simile | your breasts like clusters of fruit | 0 | The dates on a palm tree grow soft and round in large bunches that hang from the tree just below the branches, which are all at the top. The woman’s breasts are soft and round and are just lower than her arms. | |
465 | 7:8 | p7ge | I said | 0 | “I thought” or “I said to myself.” The man said this silently. | ||
466 | 7:8 | r1b3 | rc://*/ta/man/translate/figs-metaphor | I want to climb … its branches | 0 | The man wants to embrace the woman. | |
467 | 7:8 | w5g3 | rc://*/ta/man/translate/figs-simile | May your breasts be like clusters of grapes | 0 | The man wants to touch her breasts. Clusters of grapes are round and soft. | |
468 | 7:8 | zfb8 | rc://*/ta/man/translate/figs-simile | may the fragrance of your nose be like apricots | 0 | The word “nose” is a metonym for the breath coming out of the nose. Alternate translation: “may the breath coming from your nose smell sweet like apricots” | |
469 | 7:8 | f9is | apricots | 0 | sweet yellow fruit | ||
470 | 7:9 | yrg1 | rc://*/ta/man/translate/figs-metonymy | May your palate be like the best wine | 0 | The palate is a metonym for the lips. Wine tastes good. The man wants to kiss the woman’s lips. (See also: [[rc://*/ta/man/translate/figs-simile]]) | |
471 | 7:9 | rq12 | flowing smoothly for my beloved | 0 | “that flows smoothly for the one I love.” The man enjoys the smooth kisses of the woman. | ||
472 | 7:9 | ed64 | gliding over the lips of those who sleep | 0 | Alternate translation: “that flows over our lips as we sleep” | ||
473 | 7:10 | k7zq | I am my beloved’s | 0 | See how you translated a similar phrase in [Song of Songs 6:3](../06/01.md). | ||
474 | 7:10 | j44v | my beloved’s | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one’s” or “my lover’s” | ||
475 | 7:10 | a143 | he desires me | 0 | Alternate translation: “he wants to make love to me” or “he wants me” | ||
476 | 7:11 | bhr6 | spend the night in the villages | 0 | Though the words here translated “spends the night” and “villages” appear together in [Song of Songs 1:13–14](../01/12.md) as “spends the night” and “henna flowers,” and the context both here and there is lovemaking, the ULT chooses this reading because the immediate metaphor is of the man and woman sleeping in the village, rising in the morning, and going out into the vineyards. The word for “henna plants” and the word for “villages” sound exactly the same. | ||
477 | 7:12 | iii6 | rise early | 0 | Alternate translation: “get up early” or “wake up early” | ||
478 | 7:12 | cs6n | have budded | 0 | Alternate translation: “have begun to bloom” | ||
479 | 7:12 | r952 | blossoms | 0 | flowers when they are open | ||
480 | 7:12 | ukd9 | are in flower | 0 | Alternate translation: “have flowers open on the plant” | ||
481 | 7:12 | q3a4 | I will give you my love | 0 | Alternate translation: “I will make love with you” | ||
482 | 7:13 | v61b | rc://*/ta/man/translate/translate-unknown | mandrakes | 0 | This is the name of plants that give off a strong but pleasant scent. The scent is slightly intoxicating and stimulating, which increases the desire to make love. | |
483 | 7:13 | alp4 | give off their fragrance | 0 | Alternate translation: “produce their scent” or “smell very nice” | ||
484 | 7:13 | xbk7 | rc://*/ta/man/translate/figs-explicit | at the door | 0 | The doors belong to their house. Alternate translation: “above the entrances of our house” or “by the doors of our house” | |
485 | 7:13 | c2ah | are all sorts of choice fruits, new and old | 0 | Alternate translation: “is every kind of the best fruit, both old fruit and new fruit” | ||
486 | 7:13 | jsb8 | stored up for you | 0 | Alternate translation: “saved so I can give to you” | ||
487 | 7:13 | h8r2 | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
488 | 8:intro | d35n | 0 | # Song of Songs 8 General Notes\n\n## Special concepts in this chapter\n\n### Kisses\n\nThe kisses in this chapter are a type of kiss that was only done between a husband a wife. It is an intimate kiss. (See: [[rc://*/ta/man/translate/figs-explicit]])\n\n### Passion\n\nThe chapter describes the passion that can exist between a husband a wife. This is the feeling of strong or uncontrollable desire for another person. | |||
489 | 8:1 | me7m | rc://*/ta/man/translate/writing-poetry | 0 | # General Information:\n\n(See also: [[rc://*/ta/man/translate/figs-parallelism]]) | ||
490 | 8:1 | dp21 | rc://*/ta/man/translate/figs-simile | you were like my brother | 0 | A woman could show affection for her brother in public. This woman wanted to be able to show affection for the man in public. | |
491 | 8:1 | v5fh | you outside | 0 | Alternate translation: “you in public” | ||
492 | 8:1 | zyd6 | I could kiss you | 0 | A woman would probably kiss her brother on his cheek order to greet him. | ||
493 | 8:1 | ec82 | would despise me | 0 | Alternate translation: “would think that I am a bad person” | ||
494 | 8:2 | i6ch | rc://*/ta/man/translate/figs-explicit | she who taught me | 0 | taught her how to make love | |
495 | 8:2 | s68s | rc://*/ta/man/translate/figs-metaphor | I would give you spiced wine to drink and some of the juice of my pomegranates | 0 | The woman uses these images to say that she will give herself to the man and make love with him. | |
496 | 8:2 | au41 | rc://*/ta/man/translate/figs-metaphor | spiced wine | 0 | “wine with spices” or “wine that has spices in it.” This represents the intoxicating power of lovemaking. | |
497 | 8:3 | s92v | His left hand … embraces me | 0 | See how you translated this in [Song of Songs 2:6](../02/05.md). | ||
498 | 8:3 | e5cp | left hand … right hand | 0 | Alternate translation: “left arm … right arm” | ||
499 | 8:3 | v65k | embraces me | 0 | Alternate translation: “holds me” | ||
500 | 8:4 | z8a4 | I want you to swear | 0 | See how you translated this in [Song of Songs 2:7](../02/07.md) | ||
501 | 8:4 | rk33 | rc://*/ta/man/translate/figs-apostrophe | daughters of Jerusalem | 0 | “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her. See how you translated this in [Song of Songs 2:7](../02/07.md). | |
502 | 8:4 | qg8i | that you will … until it pleases | 0 | See how you translated this in [Song of Songs 2:7](../02/07.md). | ||
503 | 8:5 | a5w5 | 0 | # General Information:\n\nThe fifth part of the book begins here. | |||
504 | 8:5 | xxv3 | rc://*/ta/man/translate/figs-rquestion | Who is this who is coming up | 0 | They are using this question to say that they think the young woman is amazing. A similar phrase was translated in [Song of Songs 6:10](../06/10.md). Alternate translation: “Look at this amazing woman as she comes up” | |
505 | 8:5 | p4rr | I awakened you | 0 | Alternate translation: “I woke you up” or “I aroused you” | ||
506 | 8:5 | zfa2 | the apricot tree | 0 | a tree that produces a small yellow fruit that is very sweet. If your readers will not know what this is, you could use the word for another fruit tree or the general word “fruit tree.” See how you translated this in [Song of Songs 2:3](../02/03.md). | ||
507 | 8:5 | g9tp | there | 0 | under the apricot tree | ||
508 | 8:5 | d4ub | she delivered you | 0 | Alternate translation: “she bore you” | ||
509 | 8:6 | jr5m | rc://*/ta/man/translate/figs-metaphor | Set me as a seal over your heart, like a seal on your arm | 0 | This could mean: (1) because seals were very important, people always kept them around their neck or on their hand. The woman wants to be with the man constantly like a seal, or (2) a seal shows who owns the thing that has the seal on it, and the woman wants herself as the seal on the man’s heart and arm to show that all of his thoughts, emotions, and actions belong to her. (See also: [[rc://*/ta/man/translate/figs-simile]]) | |
510 | 8:6 | yzj4 | rc://*/ta/man/translate/figs-simile | for love is as strong as death | 0 | Death is very strong because it overcomes even the most powerful people of the world. | |
511 | 8:6 | tci8 | rc://*/ta/man/translate/figs-simile | as unrelenting as Sheol | 0 | “as tough as Sheol.” Sheol never allows people to come back to life after they have already died. Love is as persistent as Sheol because it never changes. | |
512 | 8:6 | fvz9 | rc://*/ta/man/translate/figs-metaphor | its flames burst out … any other fire | 0 | Love is very powerful like fire. | |
513 | 8:6 | tw71 | burst out | 0 | Alternate translation: “burn suddenly” | ||
514 | 8:7 | baf6 | rc://*/ta/man/translate/figs-metaphor | Surging waters cannot quench love | 0 | Love is so strong that it is like a fire that is so hot that it cannot be put out even with an ocean full of water. | |
515 | 8:7 | j6mc | Surging waters | 0 | Alternate translation: “Oceans of water” or “Huge amounts of water” | ||
516 | 8:7 | dd1i | cannot quench | 0 | Alternate translation: “cannot extinguish” or “cannot put out” | ||
517 | 8:7 | e1ej | rc://*/ta/man/translate/figs-metaphor | nor can floods sweep it away | 0 | Love never changes and always stays the same so it is like something that not even a powerful flood can move. | |
518 | 8:7 | dju9 | floods | 0 | In Israel, water from the rain flows into deep and narrow valleys. This creates a flood of water so powerful that it can move huge boulders and trees. | ||
519 | 8:7 | kqk9 | sweep it away | 0 | Alternate translation: “carry it away” or “wash it away” | ||
520 | 8:7 | jwh1 | rc://*/ta/man/translate/figs-hypo | If a man gave … the offer would utterly be despised | 0 | This is something that could possibly happen. Alternate translation: “Even if a man … he would be utterly despised” | |
521 | 8:7 | g5ja | gave | 0 | offered to give | ||
522 | 8:7 | l4u3 | all the possessions in his house | 0 | Alternate translation: “everything he owns” | ||
523 | 8:7 | n3pn | for love | 0 | Alternate translation: “in order to get love” or “in order to buy love” | ||
524 | 8:7 | nt2s | rc://*/ta/man/translate/figs-activepassive | the offer would utterly be despised | 0 | This can be translated in active form. Alternate translation: “people would completely despise him” or “people would harshly ridicule him” | |
525 | 8:8 | au5a | little sister | 0 | Alternate translation: “young sister” | ||
526 | 8:8 | t852 | rc://*/ta/man/translate/figs-rquestion | What can we do … in marriage? | 0 | The speaker uses this question to introduce what he wants to say. Alternate translation: “This is what we will do … in marriage.” | |
527 | 8:8 | g5fp | rc://*/ta/man/translate/figs-idiom | she will be promised in marriage | 0 | This can be translated in active form. Alternate translation: “a man comes and wants to marry her” (See also: [[rc://*/ta/man/translate/figs-activepassive]]) | |
528 | 8:9 | mpf5 | 0 | # General Information:\n\nThe young woman’s brothers continue to speak among themselves. | |||
529 | 8:9 | x3j1 | rc://*/ta/man/translate/figs-metaphor | If she is a wall … If she is a door | 0 | The little sister ([Song of Songs 8:8](./08.md)) has very small breasts that either have not grown or are very small. | |
530 | 8:9 | am5u | rc://*/ta/man/translate/figs-metaphor | we will build on her a tower of silver … we will adorn her with boards of cedar | 0 | The brothers decide to decorate the little sister with silver and cedar, symbols of riches, so that she will be more likely to attract a good husband. | |
531 | 8:9 | cnw3 | will adorn her | 0 | Alternate translation: “will decorate her” | ||
532 | 8:10 | n2vy | rc://*/ta/man/translate/figs-metaphor | I was a wall | 0 | The wall is a metaphor for a woman with small breasts. | |
533 | 8:10 | mc78 | rc://*/ta/man/translate/figs-simile | my breasts are now like fortress towers | 0 | Fortress towers are tall. | |
534 | 8:10 | rll2 | rc://*/ta/man/translate/figs-metonymy | I am in his eyes as one | 0 | Here eyes are a metonym for judgment or value. Alternate translation: “I am in his judgment as one” or “he thinks of me as one” | |
535 | 8:10 | b5uu | rc://*/ta/man/translate/figs-explicit | brings peace | 0 | You may need to make explicit to whom the woman brings peace. Alternate translation: “brings him peace” | |
536 | 8:10 | hi47 | peace | 0 | Alternate translation: “well-being” | ||
537 | 8:11 | tt74 | 0 | # General Information:\n\nPossible interpretations: (1) The woman contrasts the way she wants to give herself to the man, who will give her his love, to the way Solomon leases out his vineyard to those who will give him money. (2) The man contrasts the woman, whom he will not give to another man, to Solomon’s vineyard, which he gave to other men. | |||
538 | 8:11 | x2c3 | rc://*/ta/man/translate/translate-names | Baal Hamon | 0 | This is the name of a town in the northern part of Israel. | |
539 | 8:11 | mz3u | gave the vineyard | 0 | leased, agreed to let other people pay him so they could grow grapes in the vineyard | ||
540 | 8:11 | b1b3 | to those who would maintain it | 0 | Alternate translation: “to people who would take care of it” | ||
541 | 8:11 | h77m | rc://*/ta/man/translate/figs-ellipsis | Each one was to bring a thousand shekels of silver for its fruit | 0 | It may be helpful to state that this payment was for the fruit of the vineyard. Alternate translation: “Each man was supposed to give Solomon a thousand shekels as payment for the fruit of the vineyard” | |
542 | 8:11 | t2dp | rc://*/ta/man/translate/translate-bmoney | to bring a thousand shekels of silver | 0 | “to bring 1,000 shekels of silver.” (See also: [[rc://*/ta/man/translate/translate-numbers]]) | |
543 | 8:11 | e3jp | shekels | 0 | Alternate translation: “coins” | ||
544 | 8:11 | mm2j | rc://*/ta/man/translate/figs-apostrophe | Solomon | 0 | Some versions understand the woman to be speaking directly to Solomon. Others understand her to be speaking in an apostrophe to her friends, to the man, or to herself. | |
545 | 8:12 | za66 | rc://*/ta/man/translate/figs-metaphor | My vineyard, my very own | 0 | The woman refers to herself as a vineyard, as in [Song of Songs 1:6](../01/05.md). Here she emphasizes that she and no one else will decide what she dies with the “vineyard.” | |
546 | 8:12 | gc75 | rc://*/ta/man/translate/figs-idiom | is before me | 0 | This is an idiom that means the a person has the right to do what they want with something. Alternate translation: “is at my disposal” or “is mine to do with as I desire” | |
547 | 8:12 | tl1c | the thousand shekels are for you, Solomon | 0 | The woman knows that Solomon has leased out the vineyard so he can get money, but she does not want money. | ||
548 | 8:12 | t7u1 | the two hundred shekels | 0 | The speaker has not mentioned these before, but the hearer would understand that she is speaking of the money that those who worked the vineyard would have left for their own after they paid Solomon. | ||
549 | 8:13 | dp6s | rc://*/ta/man/translate/figs-you | You who live | 0 | The man is speaking to the woman, so “you” and “live” are feminine singular. | |
550 | 8:13 | zm5h | rc://*/ta/man/translate/figs-metonymy | listening for your voice | 0 | The voice is a metonym for what the person says. If your language has a word for thinking only of what one is listening for, you could use it here. Alternate translation: “waiting to hear you start speaking” or “waiting to hear what you have to say” | |
551 | 8:13 | ew6z | let me hear it | 0 | Alternate translation: “let me hear your voice.” | ||
552 | 8:14 | vrp7 | my beloved | 0 | This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover” | ||
553 | 8:14 | zh44 | like a gazelle or a young stag | 0 | See how you translated this in [Song of Songs 2:9](../02/08.md). | ||
554 | 8:14 | yhn7 | gazelle | 0 | a type of slender deer-like animal with long curved horns | ||
555 | 8:14 | gp9l | stag | 0 | an adult male deer | ||
556 | 8:14 | mqx9 | rc://*/ta/man/translate/figs-metaphor | the mountains of spices | 0 | “the mountains that have spices all over them.” The woman uses this metaphor to invite the man to make love to her. See how the man uses the metaphor of a mountain of myrrh and a hill of frankincense in [Song of Songs 4:6](../04/06.md). |