diff --git a/13-1CH.usfm b/13-1CH.usfm
index 5a3a89a7..29235b72 100644
--- a/13-1CH.usfm
+++ b/13-1CH.usfm
@@ -502,7 +502,7 @@
 \v 58 Hilen with its pasturelands, and Debir with its pasturelands.
 
 \s5
-\v 59 They also gave to the descendants of Aaron: Ashan with its pasturelands, Juttah, \f + \ft The place name \fqa Juttah \fqa* is not in the MT but is found in the Syriac version; also see Joshua 21:16. \f* and Beth Shemesh with its pasturelands;
+\v 59 They also gave to the descendants of Aaron: Ashan with its pasturelands, Juttah, \f + \ft The place name \fqa Juttah \fqa* is not in the ancient Hebrew copies but is found in the Syriac translation of the Hebrew copies; also see Joshua 21:16. \f* and Beth Shemesh with its pasturelands;
 \v 60 and from the tribe of Benjamin, Geba with its pasturelands, Alemeth with its pasturelands, and Anathoth with its pasturelands. 
 \q All their cities throughout their clans were thirteen cities.
 
diff --git a/21-ECC.usfm b/21-ECC.usfm
index 1db2d541..75ce4fb5 100644
--- a/21-ECC.usfm
+++ b/21-ECC.usfm
@@ -549,9 +549,9 @@
 
 \s5
 \q1
-\v 8 No one is ruler over his breath so as to stop the breath,
-\f + \ft Some versions have \fqa No one is ruler over the wind so as to stop the wind \fqa* . \f*
-\q2 and no one has power over the day of his death.
+\v 8 No one has power over the wind to restrain it,
+\f + \ft Some scholars translate the Hebrew as: \fqa No one is ruler over the wind so as to stop the wind \fqa* . \f*
+\q2 and so, no one has power over the day of his death.
 \q1 No one is discharged from the army during a battle,
 \q2 and wickedness will not rescue those who are its slaves.
 \p
diff --git a/22-SNG.usfm b/22-SNG.usfm
index ca154db4..115bbd7d 100644
--- a/22-SNG.usfm
+++ b/22-SNG.usfm
@@ -405,7 +405,7 @@
 \v 6 I opened the door for my beloved,
 \q but my beloved had turned and gone.
 \q My heart sank when he spoke.
-\f + \ft Some versions read \fqa sank because he had turned away \fqa* . \f*
+\f + \ft The ancient Greek and Latin translations and other ancient translations of the Hebrew copies reads \fqa he turned away \fqa* . \f*
 \q I looked for him, but I did not find him;
 \q I called him, but he did not answer me.
 
@@ -450,8 +450,8 @@
 \q
 \v 13 His cheeks are like beds of spices,
 \q yielding aromatic scents.
-\f + \ft Some versions read \fqa towers of aromatic scents \fqa* . \f*
-\q His lips are lilies, dripping liquid myrrh.
+\f + \ft The Hebrew text: \fqa yielding aromatic scents \fqa* could be translated as: \fqa garden beds made of balsam \fqa* . \f*
+\q His lips are lilies, dripping with myrrh.
 
 \s5
 \q
@@ -470,7 +470,6 @@
 \q This is my beloved, and this is my friend,
 \q daughters of Jerusalem.
 
-
 \s5
 \c 6
 \sp The women of Jerusalem speaking to the young woman
@@ -479,6 +478,7 @@
 \q most beautiful among women?
 \q In what direction has your beloved gone,
 \q so that we may seek him with you?
+
 \s5
 \sp The woman speaking to herself
 \q
@@ -547,14 +547,14 @@
 \s5
 \sp The friends speaking to the woman
 \q
-\v 13 Turn back, turn back, you perfect woman;
-\f + \ft Some versions read, \fqa you woman from Shulam \fqa* . \f*
-\q turn back, turn back so that we may gaze on you.
+\v 13 Turn back, turn back, you perfect woman!
+\f + \ft Some scholars suggest that the Hebrew might be translated: \fqa you woman from Shulam \fqa* . \f*
+\q Turn back, turn back so that we may gaze on you!
 \sp The woman speaking to the friends
 \q Why do you gaze on the perfect woman,
-\f + \ft Some versions read, \fqa on the woman from Shulam \fqa* . \f*
+\f + \ft Some scholars suggest that the Hebrew might be translated: \fqa on the woman from Shulam \fqa* . \f*
 \q as if on the dance between two armies?
-\f + \ft Some versions read, \fqa on the dance of Mahanaim \fqa* . \f*
+\f + \ft The translation of the Hebrew could follow the ULB \fqa on the dance between two armies \fqa* or it could be translated: \fqa on the dance of Mahanaim \fqa* . \f*
 
 
 \s5
@@ -592,7 +592,7 @@
 \q
 \v 6 How beautiful and how lovely you are,
 \q my love, with delights!
-\f + \ft Some versions read \fqa are, loved one, with \fqa* . \f*
+\f + \ft Some other ancient Hebrew copies are translated: \fqa How beautiful, you are a beloved one \fqa* . \f*
 
 \s5
 \q
@@ -606,10 +606,10 @@
 
 \s5
 \q
-\v 9 May your palate be like the best wine,
+\v 9 May your mouth be like the best wine,
 \q flowing smoothly for my beloved,
 \q gliding over the lips of those who sleep.
-\f + \ft Some versions read \fqa over my lips and teeth \fqa* . \f*
+\f + \ft Some copies of an ancient Greek translation and other ancient translations of the Hebrew copies: \fqa over my lips and teeth \fqa* . \f*
 
 \s5
 \p
@@ -620,7 +620,7 @@
 \q
 \v 11 Come, my beloved, let us go out into the countryside;
 \q let us spend the night in the villages.
-\f + \ft Some versions read \fqa night among the henna plants \fqa* . \f*
+\f + \ft Some scholars translate the Hebrew as either \fqa in the villages \fqa* or it may be \fqa among the henna blossoms \fqa* . \f*
 
 \s5
 \q
@@ -712,10 +712,10 @@
 \p
 \sp The woman speaking to herself
 \q
-\v 10 I was a wall, but my breasts are now like fortress towers;
-\f + \ft Some versions read \fqa I am a wall, and my breasts are like fortress towers \fqa* . \f*
+\v 10 I was a wall, and my breasts were now like fortress towers;
+\f + \ft Some scholars read the Hebrew either, as the ULB, \fqa I was a wall and my breasts were \fqa* or \fqa I am a wall, and my breasts are like fortress towers \fqa* . \f*
 \q so I am in his eyes as one who brings peace.
-\f + \ft Some versions read \fqa so I have found favor in his eyes \fqa* . \f*
+\f + \ft Some translate the Hebrew \fqa one who brings peace \fqa* , as the ULB, or they translate the Hebrew \fqa so I have found favor in his eyes \fqa* . \f*
 
 \s5
 \sp The woman speaking to herself