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@ -236,7 +236,7 @@ front:intro an3g 0 # Introduction to the Song of Songs\n\n## Part 1: General
3:11 zhva rc://*/ta/man/translate/figs-abstractnouns וּ⁠בְ⁠י֖וֹם שִׂמְחַ֥ת לִבּֽ⁠וֹ 1 If your language does not use an abstract noun for the idea of **joy**, you could express the same idea with an adjective such as “joyful” or in some other way that is natural in your language. Alternate translation: “on the day his heart was exceedingly joyful” or “on the day when his heart was very joyful” (See: [[rc://en/ta/man/translate/figs-abstractnouns]])
3:11 ei7z rc://*/ta/man/translate/figs-metonymy וּ⁠בְ⁠י֖וֹם שִׂמְחַ֥ת לִבּֽ⁠וֹ 1 Solomon’s inner being is being described by association with his **heart**, which the Jews viewed as being the center of a persons being and therefore the center of their mind and inner feelings. If it would be helpful in your language, you could use an equivalent expression or plain language as modeled by the UST.
3:11 sj76 gaze on King Solomon “look at King Solomon.” The word “gaze” refers to look at someone or something for a long time, usually with strong emotional feeling.
4:intro r3aw 0 # Song of Songs 4 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same the same standards of beauty.\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n### “My sister”\n\n\nThe phrase **my sister** is used in 4:9; 4:10, 4:12, 5:1, and 5:2. The man uses this phrase as a term of endearment for the woman he loves. The woman is not actually his sister. You should translate this phrase the same way each of the five times that it occurs in this book because the author uses it with the same meaning every time. See the note at the first occurrence of this phrase in 4:9 for more information regarding this phrase.\n\n
4:intro r3aw 0 # Song of Songs 4 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe man describes the woman he loves as the epitome of beauty and attractiveness in [4:1-4:5](../04/01.md) and in [4:7](../04/07.md). \n\n\n### Feelings of longing to be with one’s lover who seems distant and temporarily inaccessible\n\nIn [4:8](../04/08.md) the man speaks of the woman he loves as if she were far away from him and he invites her to “come with” him and “descend from” the height of three high places and be with him. The woman is not actually dwelling in these places but rather the man is using imaginative and poetic language to describe how he feels about being separated from her and to describe his desire to be with her. In [4:12](../04/12.md) the man uses poetic language to describe the fact that the woman he loves is temporarily inaccessible.\n\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\n\n### The Garden Metaphor \n\n[4:12-5:1](../04/12.md) is an extended metaphor. This metaphor is a conversation between the man and the woman he loves in which the man first compares the woman he loves to “a locked garden” (in [4:12-4:15](../04/12.md)) where many delightful things grow and then the woman responds by inviting the man to come to her garden (in [4:16](../04/16.md)). The man then responds to her invitation in [5:1](../05/1.md). The term **garden** is used as a metaphor for the woman in [4:12](../04/12.md), in [4:16](../04/16.md) (two times), and in [5:1](../05/01.md). You should be consistent in how you translate these terms. In [4:13](../04/13.md) the man speaks of the woman’s body as “an orchard of pomegranate trees with delicious fruits” and then in [4:16](../04/16.md) the woman invites the man to **come to his garden and eat its delicious fruit**. (See: [[rc://*/ta/man/translate/figs-exmetaphor]])\n\n### The “sister” metaphor\n\n\nThe phrase **my sister** is used in 4:9; 4:10, 4:12, 5:1, and 5:2. The man uses this phrase as a term of endearment for the woman he loves. The woman is not actually his sister. You should translate this phrase the same way each of the five times that it occurs in this book because the author uses it with the same meaning every time. See the note at the first occurrence of this phrase in 4:9 for more information regarding this phrase.\n\n
4:1 rg3f rc://*/ta/man/translate/figs-parallelism הִנָּ֨⁠ךְ יָפָ֤ה רַעְיָתִ⁠י֙ הִנָּ֣⁠ךְ יָפָ֔ה 1 See how you translated these two parallel phrases in [1:15](../01/15.md).
4:1 m3g6 rc://*/ta/man/translate/figs-metaphor עֵינַ֣יִ⁠ךְ יוֹנִ֔ים מִ⁠בַּ֖עַד לְ⁠צַמָּתֵ֑⁠ךְ 1 See how you translated the phrase **Your eyes are doves** in [1:15](../01/15.md).
4:1 pnn4 rc://*/ta/man/translate/figs-simile שַׂעְרֵ⁠ךְ֙ כְּ⁠עֵ֣דֶר הָֽ⁠עִזִּ֔ים שֶׁ⁠גָּלְשׁ֖וּ מֵ⁠הַ֥ר גִּלְעָֽד 1 Both the color and the motion of the woman’s **hair** is being compared to **a flock of goats that hop down from the slopes of Gilead**. Goats in Israel were black so the original readers would have understood this comparison to mean that the woman’s hair was black. Seen from a distance, a flock of black goats descending down from the high elevation of **Mount Gilead** would have created a majestic visual effect because the goats would have looked like one long flowing mass of black. If it would be helpful to your readers, you could state explicitly these two points of comparison. Alternate translation: “Your black hair moves in graceful waves like a flock of black goats moving down the slopes of Mount Gilead” or “Your long black hair flows in graceful waves like a flock of black goats coming down the slopes of Mount Gilead”
@ -283,25 +283,23 @@ front:intro an3g 0 # Introduction to the Song of Songs\n\n## Part 1: General
4:11 vc6y rc://*/ta/man/translate/figs-metaphor דְּבַ֤שׁ וְ⁠חָלָב֙ תַּ֣חַת לְשׁוֹנֵ֔⁠ךְ 1 The phrase **honey and milk are under your tongue** could mean: (1) that the taste of the woman’s kisses was as pleasant as milk and honey. Alternate translation: “your kisses are like milk and honey to me” or “your kisses are as pleasant and delightful as milk and honey” (2) that the woman’s words were as pleasant as milk and honey. Alternate translation: “your words are as pleasant as milk and honey” (3) that both the woman’s kisses and her words were as pleasant as milk and honey. Alternate translation: “the kisses from your mouth and your words are as pleasant as milk and honey to me”
4:11 nyc9 rc://*/ta/man/translate/figs-explicit וְ⁠רֵ֥יחַ שַׂלְמֹתַ֖יִ⁠ךְ כְּ⁠רֵ֥יחַ לְבָנֽוֹן 1 **Lebanon** is known for its forests of cedar trees. Cedar trees have a very pleasant smell. The phrase **the smell of your garments is like the smell of Lebanon** probably means that the woman’s clothes smelled like the smell of cedar wood. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “and the smell of your garments is like the smell of Lebanon’s pleasant smelling cedar”
4:12 ik5j rc://*/ta/man/translate/figs-infostructure גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 If it would be more natural in your language, you could change the order of these phrases. Alternate translation: “My sister, my bride; you are a locked garden, a locked spring, a sealed fountain”
4:12 j45u rc://*/ta/man/translate/figs-metaphor גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה 1 The man is speaking of the woman as if she were a **locked garden**. He means that the woman’s body is beautiful and seemingly inaccessible like a **locked garden**. If it would help your readers you could express the meaning as a simile. Alternate translation: “You are like a locked garden my sister, my bride”
4:12 j45u rc://*/ta/man/translate/figs-metaphor גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה 1 The man is speaking of the woman as if she were a **locked garden**. He uses **garden** as a poetic way of referring to the woman herself and by saying she is a **locked garden** he means that the woman is both beautiful and seemingly inaccessible like a **locked garden**. If it would help your readers you could express the meaning as a simile. Alternate translation: “You are like a locked garden my sister, my bride”
4:12 nxse rc://*/ta/man/translate/translate-unknown גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה 1 The word translated as **garden** refers to a large enclosed area where bushes, flowers, plants, and trees grow. If your readers would not be familiar with this type of garden, you could use the name of something similar in your area that would fit this context or you could use a descriptive phrase to explain it or explain it in a footnote. Alternate translation: “A locked park where many trees and plants grow is my sister, my bride”
4:12 whp4 rc://*/ta/man/translate/figs-metaphor אֲחֹתִ֣⁠י 1 See how you translated the phrase **my sister** in [4:9](../04/09.md).
4:12 i5nb rc://*/ta/man/translate/figs-exmetaphor גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 The man continues to draw an extended comparison between the woman he loves and a **garden** by speaking of the woman as if she were **a locked spring** or **a sealed fountain** within a **locked garden**. The man means that the woman’s body is beautiful and seemingly inaccessible like a **a locked spring** or **a sealed fountain** that are within a **locked garden**. If it would help your readers you could express the meaning as a simile. Alternate translation: “you are like a locked spring, you are like a sealed fountain”
4:12 i5nb rc://*/ta/man/translate/figs-exmetaphor גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 The man continues to draw an extended comparison between the woman he loves and a **garden** by speaking of the woman as if she were **a locked spring** and **a sealed fountain** within a **locked garden**. The man means that the woman’s body is beautiful and seemingly inaccessible like a **a locked spring** or **a sealed fountain**. If you translated **A locked garden is my sister, my bride** as a simile then you should also translate these two phrases as similes. Alternate translation: “you are like a locked spring, you are like a sealed fountain”
4:12 z4b8 rc://*/ta/man/translate/figs-parallelism גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 The phrase **a locked spring** and the phrase **a sealed fountain** mean basically the same thing. The author is saying the same thing twice, in slightly different ways, for emphasis. If saying the same thing twice might be confusing for your readers, you can combine the phrases into one, as modeled by the UST, and show the emphasis in some other way.
4:13 nsr3 rc://*/ta/man/translate/figs-metaphor שְׁלָחַ֨יִ⁠ךְ֙ 1 The word translated as **shoots** refers to the parts of something that come out from it. Here, the word refers to the stems and roots that come out (shoot out) from trees and plants. The word **shoots** is used here to refer to the woman so if it would help your readers you could translate the phrase **Your shoots** as “You” as modeled by the UST. Alternately, you could translate **shoots** with a general word that your language uses to speak of what grows out of plants and trees. Alternate translation: “Your sprouts”
4:13-14 unsg rc://*/ta/man/translate/figs-metaphor שְׁלָחַ֨יִ⁠ךְ֙ פַּרְדֵּ֣ס רִמּוֹנִ֔ים עִ֖ם פְּרִ֣י מְגָדִ֑ים כְּפָרִ֖ים עִם־נְרָדִֽים…נֵ֣רְדְּ ׀ וְ⁠כַרְכֹּ֗ם קָנֶה֙ וְ⁠קִנָּמ֔וֹן עִ֖ם כָּל־עֲצֵ֣י לְבוֹנָ֑ה מֹ֚ר וַ⁠אֲהָל֔וֹת עִ֖ם כָּל־רָאשֵׁ֥י בְשָׂמִֽים 1 The man is making a comparison between these things and the woman by speaking of her as if she were **an orchard of pomegranate trees** and as as if she was various other spices and pleasant smelling plants and trees. If it would help your readers you could express the meaning as a simile. Alternate translation: “You are like an orchard of pomegranate trees with delicious fruits;\nhenna with nard, nard and saffron;\ncalamus and cinnamon with all trees of frankincense;\nmyrrh and aloes with all the best spices”
4:13 nsr3 rc://*/ta/man/translate/figs-exmetaphor שְׁלָחַ֨יִ⁠ךְ֙ 1 The word translated as **shoots** refers to the parts of something that come out from it. Here, the word refers to the stems and roots that come out (shoot out) from trees and plants. The word **shoots** is used here to refer to the woman so if it would help your readers you could translate the phrase **Your shoots** as “You” as modeled by the UST. Alternately, you could translate **shoots** with a general word that your language uses to speak of what grows out of plants and trees. Alternate translation: “Your sprouts”
4:13-14 unsg rc://*/ta/man/translate/figs-exmetaphor שְׁלָחַ֨יִ⁠ךְ֙ פַּרְדֵּ֣ס רִמּוֹנִ֔ים עִ֖ם פְּרִ֣י מְגָדִ֑ים כְּפָרִ֖ים עִם־נְרָדִֽים…נֵ֣רְדְּ ׀ וְ⁠כַרְכֹּ֗ם קָנֶה֙ וְ⁠קִנָּמ֔וֹן עִ֖ם כָּל־עֲצֵ֣י לְבוֹנָ֑ה מֹ֚ר וַ⁠אֲהָל֔וֹת עִ֖ם כָּל־רָאשֵׁ֥י בְשָׂמִֽים 1 The man is making a comparison between these things and the woman by speaking of her as if she is **an orchard of pomegranate trees** and as as if she is various other spices and pleasant smelling plants and trees that are in the “locked garden” ([4:12](../04/12.md)). If you translated [4:12](../04/12.md) as a simile you should also translate these two verses as a simile. Alternate translation: “You are like an orchard of pomegranate trees with delicious fruits;\nhenna with nard, nard and saffron;\ncalamus and cinnamon with all trees of frankincense;\nmyrrh and aloes with all the best spices”
4:13-14 dju5 rc://*/ta/man/translate/translate-unknown כְּפָרִ֖ים עִם־נְרָדִֽים…נֵ֣רְדְּ 1 See how you translated the word **nard** in [1:12](../01/12.md) and the word **henna** in [1:14](../01/14.md).
4:14 dxj9 rc://*/ta/man/translate/translate-unknown וְ⁠כַרְכֹּ֗ם קָנֶה֙ וְ⁠קִנָּמ֔וֹן…וַ⁠אֲהָל֔וֹת 1 The word **saffron** refers to a beautiful flowering plant that produces purple flowers and the word **calamus** refers to a cane. Both **saffron** and **calamus** were used to make a pleasant smelling oil. The term **cinnamon** refers to a spice made from the bark of the **cinnamon**. The term **aloes** refers to the pleasant smelling resin that comes from specific trees in Asia. If one or more of these plants are unknown in your area you could use use the name of something similar in your area or you could retain the name and use a footnote explaining what the plant is. Alternate translation: “and saffron flowers, calamus canes and cinnamon trees … pleasant smelling resin called aloes”
4:15 z2an rc://*/ta/man/translate/figs-metaphor מַעְיַ֣ן גַּנִּ֔ים בְּאֵ֖ר מַ֣יִם חַיִּ֑ים וְ⁠נֹזְלִ֖ים מִן־לְבָנֽוֹן 1 Here, the man speaks of the woman he loves as if she were **a fountain** in a garden, a **a well of living water** and **flowing streams from Lebanon**. If it would be helpful to you readers you could use a simile to express the meaning. Alternate translation: “you are like a fountain of gardens,\nlike a well of living water\nand like flowing streams from Lebanon”
4:15 z2an rc://*/ta/man/translate/figs-exmetaphor מַעְיַ֣ן גַּנִּ֔ים בְּאֵ֖ר מַ֣יִם חַיִּ֑ים וְ⁠נֹזְלִ֖ים מִן־לְבָנֽוֹן 1 Here, the man continues the metaphor that he began in [4:12](../04/12.md) and speaks of the woman he loves as if she were **a fountain** in a garden, **a well of living water** and **flowing streams from Lebanon**. If you translated [4:12-14](../04/12.md) as a simile you should also translate this verse as a simile. See how you translated the word “garden” in [4:12](../04/12.md). Alternate translation: “you are like a fountain of gardens,\nlike a well of living water\nand like flowing streams from Lebanon”
4:15 bj5a rc://*/ta/man/translate/figs-explicit מַעְיַ֣ן גַּנִּ֔ים 1 The term translated as **fountain** refers to a spring or underground well that is dug in order to be used as a water source. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “a garden spring” or “a garden well”
4:15 t9ch rc://*/ta/man/translate/translate-plural מַעְיַ֣ן גַּנִּ֔ים 1 Here, the plural form **gardens** could be used to: (1) designate the kind of **fountain** that would be in **gardens**. Alternate translation: “a garden fountain” (2) designate a large garden. Alternate translation: “a fountain in a large garden”
4:15 ke0n rc://*/ta/man/translate/figs-explicit מַ֣יִם חַיִּ֑ים 1 Here, the term **living** means that the water is fresh and flowing and not stagnant. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “fresh water” or “flowing water”
4:16 jv5g rc://*/ta/man/translate/figs-personification Awake, north wind; come, south wind; blow 0 The woman speaks to the north wind and the south wind as though they were people. Alternate translation: “I wish the north wind and south wind would come and blow”
4:16 x71g Awake, north wind 0 Alternate translation: “North wind, start blowing”
4:16 l273 rc://*/ta/man/translate/figs-metaphor blow on my garden 0 The garden is a metaphor for her body, which she has covered with sweet-smelling oils ([Song of Songs 4:14](./12.md)).
4:16 kdi9 may give off their fragrance 0 Alternate translation: “may send out their good smells”
4:16 lqh1 rc://*/ta/man/translate/figs-metaphor May my beloved … choice fruit 0 The woman is inviting the man to make love to her.
4:16 dp46 my beloved 0 This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover”
4:16 mbn7 choice fruit 0 Alternate translation: “wonderful fruit”
4:15 t9ch rc://*/ta/man/translate/translate-plural מַעְיַ֣ן גַּנִּ֔ים 1 Here, the author could be using the plural form **gardens** to: (1) designate the kind of **fountain** that would be in **gardens**. Alternate translation: “a garden fountain” (2) designate a large garden. Alternate translation: “a fountain in a large garden”
4:15 ke0n rc://*/ta/man/translate/figs-explicit מַ֣יִם חַיִּ֑ים 1 Here, the term **living** means that the water is fresh and flowing. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “fresh water” or “flowing water”
4:16 jv5g rc://*/ta/man/translate/figs-apostrophe ע֤וּרִי צָפוֹן֙ וּ⁠ב֣וֹאִי תֵימָ֔ן הָפִ֥יחִי גַנִּ֖⁠י יִזְּל֣וּ בְשָׂמָ֑י⁠ו 1 The woman is speaking to the **wind** which she knows cannot hear her. She is doing this to communicate her strong desire that the pleasant smell of her body will flow through the air and attract the man she loves so that he will come to her. If it would be helpful in your language, you could translate these words as a wish or desire. Alternate translation: “I wish that the north wind and south wind would come and blow on my garden and let its spices flow”
4:16 x71g rc://*/ta/man/translate/figs-go וּ⁠ב֣וֹאִי…יָבֹ֤א דוֹדִ⁠י֙ 1 Your language may say “go” rather than **come** in contexts such as this. Use whichever is more natural. Alternate translation: “and go … Let my beloved go”
4:16 l273 rc://*/ta/man/translate/figs-exmetaphor ע֤וּרִי צָפוֹן֙ וּ⁠ב֣וֹאִי תֵימָ֔ן הָפִ֥יחִי גַנִּ֖⁠י יִזְּל֣וּ בְשָׂמָ֑י⁠ו יָבֹ֤א דוֹדִ⁠י֙ לְ⁠גַנּ֔⁠וֹ וְ⁠יֹאכַ֖ל פְּרִ֥י מְגָדָֽי⁠ו 1 Here, the woman continues the “garden” metaphor (that the man began in [4:12](../04/12.md)) by referring to her body as **my garden** and then **his garden**. In this verse the woman calls to the wind to blow on her **garden** so that **its spices flow** into the air and attract the man she loves. The woman then offers her body to the man she loves by inviting him to **come to his garden** (a poetic way of inviting him to come to her and enjoy her body). You should translate the term **garden** here the same way you did in [4:12](../04/12.md) because both uses refer to the woman’s body. In [4:13](../04/13.md) the man spoke of the woman’s body as “an orchard of pomegranate trees with delicious fruits” and here the woman invites the man to **come to his garden and eat its delicious fruit**. If you translated [4:12-15](../04/12.md) as a simile, you should also translate the sentence **Let my beloved come to his garden\nand eat its delicious fruit** as a simile.
4:16 kdi9 יִזְּל֣וּ בְשָׂמָ֑י⁠ו 1 Alternate translation: “and carry the pleasant smell of its spices through the air” or “and make the pleasant smell of its spices flow through the air”
5:intro kdw4 0 # Song of Songs 5 General Notes\n\n## Structure and formatting\n\nVerses 2–7 describe a dream the woman had.\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same standards of beauty.\n\n## Important figures of speech in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n## Other possible translation difficulties in this chapter\n\n### “My sister”\n\n\nThe phrase **my sister** is used in 4:9; 4:10, 4:12, 5:1, and 5:2. The man uses this phrase as a term of endearment for the woman he loves. The woman is not actually his sister. You should translate this phrase in 5:1, and 5:2 the same way as you translated it in 4:9; 4:10, and 4:12 because the author uses it with the same meaning in this chapter. See the note at the first occurrence of this phrase in 4:9 for more information regarding this phrase.
5:1 zka3 rc://*/ta/man/translate/writing-poetry 0 # General Information:\n\n(See also: [[rc://*/ta/man/translate/figs-parallelism]])
5:1 m575 I have come 0 It is clearly the woman’s lover who is speaking.

1 Reference ID Tags SupportReference Quote Occurrence Note
236 3:11 zhva rc://*/ta/man/translate/figs-abstractnouns וּ⁠בְ⁠י֖וֹם שִׂמְחַ֥ת לִבּֽ⁠וֹ 1 If your language does not use an abstract noun for the idea of **joy**, you could express the same idea with an adjective such as “joyful” or in some other way that is natural in your language. Alternate translation: “on the day his heart was exceedingly joyful” or “on the day when his heart was very joyful” (See: [[rc://en/ta/man/translate/figs-abstractnouns]])
237 3:11 ei7z rc://*/ta/man/translate/figs-metonymy וּ⁠בְ⁠י֖וֹם שִׂמְחַ֥ת לִבּֽ⁠וֹ 1 Solomon’s inner being is being described by association with his **heart**, which the Jews viewed as being the center of a persons being and therefore the center of their mind and inner feelings. If it would be helpful in your language, you could use an equivalent expression or plain language as modeled by the UST.
238 3:11 sj76 gaze on King Solomon “look at King Solomon.” The word “gaze” refers to look at someone or something for a long time, usually with strong emotional feeling.
239 4:intro r3aw 0 # Song of Songs 4 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same the same standards of beauty.\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n### “My sister”\n\n\nThe phrase **my sister** is used in 4:9; 4:10, 4:12, 5:1, and 5:2. The man uses this phrase as a term of endearment for the woman he loves. The woman is not actually his sister. You should translate this phrase the same way each of the five times that it occurs in this book because the author uses it with the same meaning every time. See the note at the first occurrence of this phrase in 4:9 for more information regarding this phrase.\n\n # Song of Songs 4 General Notes\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe man describes the woman he loves as the epitome of beauty and attractiveness in [4:1-4:5](../04/01.md) and in [4:7](../04/07.md). \n\n\n### Feelings of longing to be with one’s lover who seems distant and temporarily inaccessible\n\nIn [4:8](../04/08.md) the man speaks of the woman he loves as if she were far away from him and he invites her to “come with” him and “descend from” the height of three high places and be with him. The woman is not actually dwelling in these places but rather the man is using imaginative and poetic language to describe how he feels about being separated from her and to describe his desire to be with her. In [4:12](../04/12.md) the man uses poetic language to describe the fact that the woman he loves is temporarily inaccessible.\n\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\n\n### The Garden Metaphor \n\n[4:12-5:1](../04/12.md) is an extended metaphor. This metaphor is a conversation between the man and the woman he loves in which the man first compares the woman he loves to “a locked garden” (in [4:12-4:15](../04/12.md)) where many delightful things grow and then the woman responds by inviting the man to come to her garden (in [4:16](../04/16.md)). The man then responds to her invitation in [5:1](../05/1.md). The term **garden** is used as a metaphor for the woman in [4:12](../04/12.md), in [4:16](../04/16.md) (two times), and in [5:1](../05/01.md). You should be consistent in how you translate these terms. In [4:13](../04/13.md) the man speaks of the woman’s body as “an orchard of pomegranate trees with delicious fruits” and then in [4:16](../04/16.md) the woman invites the man to **come to his garden and eat its delicious fruit**. (See: [[rc://*/ta/man/translate/figs-exmetaphor]])\n\n### The “sister” metaphor\n\n\nThe phrase **my sister** is used in 4:9; 4:10, 4:12, 5:1, and 5:2. The man uses this phrase as a term of endearment for the woman he loves. The woman is not actually his sister. You should translate this phrase the same way each of the five times that it occurs in this book because the author uses it with the same meaning every time. See the note at the first occurrence of this phrase in 4:9 for more information regarding this phrase.\n\n
240 4:1 rg3f rc://*/ta/man/translate/figs-parallelism הִנָּ֨⁠ךְ יָפָ֤ה רַעְיָתִ⁠י֙ הִנָּ֣⁠ךְ יָפָ֔ה 1 See how you translated these two parallel phrases in [1:15](../01/15.md).
241 4:1 m3g6 rc://*/ta/man/translate/figs-metaphor עֵינַ֣יִ⁠ךְ יוֹנִ֔ים מִ⁠בַּ֖עַד לְ⁠צַמָּתֵ֑⁠ךְ 1 See how you translated the phrase **Your eyes are doves** in [1:15](../01/15.md).
242 4:1 pnn4 rc://*/ta/man/translate/figs-simile שַׂעְרֵ⁠ךְ֙ כְּ⁠עֵ֣דֶר הָֽ⁠עִזִּ֔ים שֶׁ⁠גָּלְשׁ֖וּ מֵ⁠הַ֥ר גִּלְעָֽד 1 Both the color and the motion of the woman’s **hair** is being compared to **a flock of goats that hop down from the slopes of Gilead**. Goats in Israel were black so the original readers would have understood this comparison to mean that the woman’s hair was black. Seen from a distance, a flock of black goats descending down from the high elevation of **Mount Gilead** would have created a majestic visual effect because the goats would have looked like one long flowing mass of black. If it would be helpful to your readers, you could state explicitly these two points of comparison. Alternate translation: “Your black hair moves in graceful waves like a flock of black goats moving down the slopes of Mount Gilead” or “Your long black hair flows in graceful waves like a flock of black goats coming down the slopes of Mount Gilead”
283 4:11 vc6y rc://*/ta/man/translate/figs-metaphor דְּבַ֤שׁ וְ⁠חָלָב֙ תַּ֣חַת לְשׁוֹנֵ֔⁠ךְ 1 The phrase **honey and milk are under your tongue** could mean: (1) that the taste of the woman’s kisses was as pleasant as milk and honey. Alternate translation: “your kisses are like milk and honey to me” or “your kisses are as pleasant and delightful as milk and honey” (2) that the woman’s words were as pleasant as milk and honey. Alternate translation: “your words are as pleasant as milk and honey” (3) that both the woman’s kisses and her words were as pleasant as milk and honey. Alternate translation: “the kisses from your mouth and your words are as pleasant as milk and honey to me”
284 4:11 nyc9 rc://*/ta/man/translate/figs-explicit וְ⁠רֵ֥יחַ שַׂלְמֹתַ֖יִ⁠ךְ כְּ⁠רֵ֥יחַ לְבָנֽוֹן 1 **Lebanon** is known for its forests of cedar trees. Cedar trees have a very pleasant smell. The phrase **the smell of your garments is like the smell of Lebanon** probably means that the woman’s clothes smelled like the smell of cedar wood. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “and the smell of your garments is like the smell of Lebanon’s pleasant smelling cedar”
285 4:12 ik5j rc://*/ta/man/translate/figs-infostructure גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 If it would be more natural in your language, you could change the order of these phrases. Alternate translation: “My sister, my bride; you are a locked garden, a locked spring, a sealed fountain”
286 4:12 j45u rc://*/ta/man/translate/figs-metaphor גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה 1 The man is speaking of the woman as if she were a **locked garden**. He means that the woman’s body is beautiful and seemingly inaccessible like a **locked garden**. If it would help your readers you could express the meaning as a simile. Alternate translation: “You are like a locked garden my sister, my bride” The man is speaking of the woman as if she were a **locked garden**. He uses **garden** as a poetic way of referring to the woman herself and by saying she is a **locked garden** he means that the woman is both beautiful and seemingly inaccessible like a **locked garden**. If it would help your readers you could express the meaning as a simile. Alternate translation: “You are like a locked garden my sister, my bride”
287 4:12 nxse rc://*/ta/man/translate/translate-unknown גַּ֥ן ׀ נָע֖וּל אֲחֹתִ֣⁠י כַלָּ֑ה 1 The word translated as **garden** refers to a large enclosed area where bushes, flowers, plants, and trees grow. If your readers would not be familiar with this type of garden, you could use the name of something similar in your area that would fit this context or you could use a descriptive phrase to explain it or explain it in a footnote. Alternate translation: “A locked park where many trees and plants grow is my sister, my bride”
288 4:12 whp4 rc://*/ta/man/translate/figs-metaphor אֲחֹתִ֣⁠י 1 See how you translated the phrase **my sister** in [4:9](../04/09.md).
289 4:12 i5nb rc://*/ta/man/translate/figs-exmetaphor גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 The man continues to draw an extended comparison between the woman he loves and a **garden** by speaking of the woman as if she were **a locked spring** or **a sealed fountain** within a **locked garden**. The man means that the woman’s body is beautiful and seemingly inaccessible like a **a locked spring** or **a sealed fountain** that are within a **locked garden**. If it would help your readers you could express the meaning as a simile. Alternate translation: “you are like a locked spring, you are like a sealed fountain” The man continues to draw an extended comparison between the woman he loves and a **garden** by speaking of the woman as if she were **a locked spring** and **a sealed fountain** within a **locked garden**. The man means that the woman’s body is beautiful and seemingly inaccessible like a **a locked spring** or **a sealed fountain**. If you translated **A locked garden is my sister, my bride** as a simile then you should also translate these two phrases as similes. Alternate translation: “you are like a locked spring, you are like a sealed fountain”
290 4:12 z4b8 rc://*/ta/man/translate/figs-parallelism גַּ֥ל נָע֖וּל מַעְיָ֥ן חָתֽוּם 1 The phrase **a locked spring** and the phrase **a sealed fountain** mean basically the same thing. The author is saying the same thing twice, in slightly different ways, for emphasis. If saying the same thing twice might be confusing for your readers, you can combine the phrases into one, as modeled by the UST, and show the emphasis in some other way.
291 4:13 nsr3 rc://*/ta/man/translate/figs-metaphor rc://*/ta/man/translate/figs-exmetaphor שְׁלָחַ֨יִ⁠ךְ֙ 1 The word translated as **shoots** refers to the parts of something that come out from it. Here, the word refers to the stems and roots that come out (shoot out) from trees and plants. The word **shoots** is used here to refer to the woman so if it would help your readers you could translate the phrase **Your shoots** as “You” as modeled by the UST. Alternately, you could translate **shoots** with a general word that your language uses to speak of what grows out of plants and trees. Alternate translation: “Your sprouts”
292 4:13-14 unsg rc://*/ta/man/translate/figs-metaphor rc://*/ta/man/translate/figs-exmetaphor שְׁלָחַ֨יִ⁠ךְ֙ פַּרְדֵּ֣ס רִמּוֹנִ֔ים עִ֖ם פְּרִ֣י מְגָדִ֑ים כְּפָרִ֖ים עִם־נְרָדִֽים…נֵ֣רְדְּ ׀ וְ⁠כַרְכֹּ֗ם קָנֶה֙ וְ⁠קִנָּמ֔וֹן עִ֖ם כָּל־עֲצֵ֣י לְבוֹנָ֑ה מֹ֚ר וַ⁠אֲהָל֔וֹת עִ֖ם כָּל־רָאשֵׁ֥י בְשָׂמִֽים 1 The man is making a comparison between these things and the woman by speaking of her as if she were **an orchard of pomegranate trees** and as as if she was various other spices and pleasant smelling plants and trees. If it would help your readers you could express the meaning as a simile. Alternate translation: “You are like an orchard of pomegranate trees with delicious fruits;\nhenna with nard, nard and saffron;\ncalamus and cinnamon with all trees of frankincense;\nmyrrh and aloes with all the best spices” The man is making a comparison between these things and the woman by speaking of her as if she is **an orchard of pomegranate trees** and as as if she is various other spices and pleasant smelling plants and trees that are in the “locked garden” ([4:12](../04/12.md)). If you translated [4:12](../04/12.md) as a simile you should also translate these two verses as a simile. Alternate translation: “You are like an orchard of pomegranate trees with delicious fruits;\nhenna with nard, nard and saffron;\ncalamus and cinnamon with all trees of frankincense;\nmyrrh and aloes with all the best spices”
293 4:13-14 dju5 rc://*/ta/man/translate/translate-unknown כְּפָרִ֖ים עִם־נְרָדִֽים…נֵ֣רְדְּ 1 See how you translated the word **nard** in [1:12](../01/12.md) and the word **henna** in [1:14](../01/14.md).
294 4:14 dxj9 rc://*/ta/man/translate/translate-unknown וְ⁠כַרְכֹּ֗ם קָנֶה֙ וְ⁠קִנָּמ֔וֹן…וַ⁠אֲהָל֔וֹת 1 The word **saffron** refers to a beautiful flowering plant that produces purple flowers and the word **calamus** refers to a cane. Both **saffron** and **calamus** were used to make a pleasant smelling oil. The term **cinnamon** refers to a spice made from the bark of the **cinnamon**. The term **aloes** refers to the pleasant smelling resin that comes from specific trees in Asia. If one or more of these plants are unknown in your area you could use use the name of something similar in your area or you could retain the name and use a footnote explaining what the plant is. Alternate translation: “and saffron flowers, calamus canes and cinnamon trees … pleasant smelling resin called aloes”
295 4:15 z2an rc://*/ta/man/translate/figs-metaphor rc://*/ta/man/translate/figs-exmetaphor מַעְיַ֣ן גַּנִּ֔ים בְּאֵ֖ר מַ֣יִם חַיִּ֑ים וְ⁠נֹזְלִ֖ים מִן־לְבָנֽוֹן 1 Here, the man speaks of the woman he loves as if she were **a fountain** in a garden, a **a well of living water** and **flowing streams from Lebanon**. If it would be helpful to you readers you could use a simile to express the meaning. Alternate translation: “you are like a fountain of gardens,\nlike a well of living water\nand like flowing streams from Lebanon” Here, the man continues the metaphor that he began in [4:12](../04/12.md) and speaks of the woman he loves as if she were **a fountain** in a garden, **a well of living water** and **flowing streams from Lebanon**. If you translated [4:12-14](../04/12.md) as a simile you should also translate this verse as a simile. See how you translated the word “garden” in [4:12](../04/12.md). Alternate translation: “you are like a fountain of gardens,\nlike a well of living water\nand like flowing streams from Lebanon”
296 4:15 bj5a rc://*/ta/man/translate/figs-explicit מַעְיַ֣ן גַּנִּ֔ים 1 The term translated as **fountain** refers to a spring or underground well that is dug in order to be used as a water source. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “a garden spring” or “a garden well”
297 4:15 t9ch rc://*/ta/man/translate/translate-plural מַעְיַ֣ן גַּנִּ֔ים 1 Here, the plural form **gardens** could be used to: (1) designate the kind of **fountain** that would be in **gardens**. Alternate translation: “a garden fountain” (2) designate a large garden. Alternate translation: “a fountain in a large garden” Here, the author could be using the plural form **gardens** to: (1) designate the kind of **fountain** that would be in **gardens**. Alternate translation: “a garden fountain” (2) designate a large garden. Alternate translation: “a fountain in a large garden”
298 4:15 ke0n rc://*/ta/man/translate/figs-explicit מַ֣יִם חַיִּ֑ים 1 Here, the term **living** means that the water is fresh and flowing and not stagnant. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “fresh water” or “flowing water” Here, the term **living** means that the water is fresh and flowing. If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “fresh water” or “flowing water”
299 4:16 jv5g rc://*/ta/man/translate/figs-personification rc://*/ta/man/translate/figs-apostrophe Awake, north wind; come, south wind; blow ע֤וּרִי צָפוֹן֙ וּ⁠ב֣וֹאִי תֵימָ֔ן הָפִ֥יחִי גַנִּ֖⁠י יִזְּל֣וּ בְשָׂמָ֑י⁠ו 0 1 The woman speaks to the north wind and the south wind as though they were people. Alternate translation: “I wish the north wind and south wind would come and blow” The woman is speaking to the **wind** which she knows cannot hear her. She is doing this to communicate her strong desire that the pleasant smell of her body will flow through the air and attract the man she loves so that he will come to her. If it would be helpful in your language, you could translate these words as a wish or desire. Alternate translation: “I wish that the north wind and south wind would come and blow on my garden and let its spices flow”
300 4:16 x71g rc://*/ta/man/translate/figs-go Awake, north wind וּ⁠ב֣וֹאִי…יָבֹ֤א דוֹדִ⁠י֙ 0 1 Alternate translation: “North wind, start blowing” Your language may say “go” rather than **come** in contexts such as this. Use whichever is more natural. Alternate translation: “and go … Let my beloved go”
301 4:16 l273 rc://*/ta/man/translate/figs-metaphor rc://*/ta/man/translate/figs-exmetaphor blow on my garden ע֤וּרִי צָפוֹן֙ וּ⁠ב֣וֹאִי תֵימָ֔ן הָפִ֥יחִי גַנִּ֖⁠י יִזְּל֣וּ בְשָׂמָ֑י⁠ו יָבֹ֤א דוֹדִ⁠י֙ לְ⁠גַנּ֔⁠וֹ וְ⁠יֹאכַ֖ל פְּרִ֥י מְגָדָֽי⁠ו 0 1 The garden is a metaphor for her body, which she has covered with sweet-smelling oils ([Song of Songs 4:14](./12.md)). Here, the woman continues the “garden” metaphor (that the man began in [4:12](../04/12.md)) by referring to her body as **my garden** and then **his garden**. In this verse the woman calls to the wind to blow on her **garden** so that **its spices flow** into the air and attract the man she loves. The woman then offers her body to the man she loves by inviting him to **come to his garden** (a poetic way of inviting him to come to her and enjoy her body). You should translate the term **garden** here the same way you did in [4:12](../04/12.md) because both uses refer to the woman’s body. In [4:13](../04/13.md) the man spoke of the woman’s body as “an orchard of pomegranate trees with delicious fruits” and here the woman invites the man to **come to his garden and eat its delicious fruit**. If you translated [4:12-15](../04/12.md) as a simile, you should also translate the sentence **Let my beloved come to his garden\nand eat its delicious fruit** as a simile.
302 4:16 kdi9 may give off their fragrance יִזְּל֣וּ בְשָׂמָ֑י⁠ו 0 1 Alternate translation: “may send out their good smells” Alternate translation: “and carry the pleasant smell of its spices through the air” or “and make the pleasant smell of its spices flow through the air”
4:16 lqh1 rc://*/ta/man/translate/figs-metaphor May my beloved … choice fruit 0 The woman is inviting the man to make love to her.
4:16 dp46 my beloved 0 This phrase refers to the man whom the woman loves. In some languages it may be more natural for her to refer to him as “my lover.” See how you translated this in [Song of Songs 1:13](./12.md). Alternate translation: “my dear one” or “my lover”
4:16 mbn7 choice fruit 0 Alternate translation: “wonderful fruit”
303 5:intro kdw4 0 # Song of Songs 5 General Notes\n\n## Structure and formatting\n\nVerses 2–7 describe a dream the woman had.\n\n## Special concepts in this chapter\n\n### Beauty\n\nThe woman is described as the epitome of beauty in ancient Israel. Not all cultures share the same standards of beauty.\n\n## Important figures of speech in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])\n\n## Other possible translation difficulties in this chapter\n\n### “My sister”\n\n\nThe phrase **my sister** is used in 4:9; 4:10, 4:12, 5:1, and 5:2. The man uses this phrase as a term of endearment for the woman he loves. The woman is not actually his sister. You should translate this phrase in 5:1, and 5:2 the same way as you translated it in 4:9; 4:10, and 4:12 because the author uses it with the same meaning in this chapter. See the note at the first occurrence of this phrase in 4:9 for more information regarding this phrase.
304 5:1 zka3 rc://*/ta/man/translate/writing-poetry 0 # General Information:\n\n(See also: [[rc://*/ta/man/translate/figs-parallelism]])
305 5:1 m575 I have come 0 It is clearly the woman’s lover who is speaking.