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@ -1117,7 +1117,7 @@ front:intro r2f2 0 # Introduction to the Gospel of Mark\n\n## Part 1: General
13:13 vcz4 ὑπομείνας εἰς τέλος 1 The phrase **to the end** could mean: (1) to the end of one’s life. Alternate translation: “who endures to the point of death” or “who endures till death” (2) until the end of time. This meaning means that believers must endure and keep on enduring until the time when Christ returns. Alternate translation: “who keeps on enduring to the very end” (3) to the end of that time of hardship and persecution. Alternate translation: “who endures until the time of testing is over”
13:14 d4nw rc://*/ta/man/translate/figs-explicit τὸ βδέλυγμα τῆς ἐρημώσεως 1 The phrase **the abomination of desolation** is from the book of Daniel. Jesus’ audience would have been familiar with this passage and the prophecy about **the abomination** entering the temple and defiling it. If it would be helpful in your language, you could indicate the meaning explicitly, as modeled by the UST. Alternate translation: “the shameful thing that defiles the temple”
13:14 vx3c rc://*/ta/man/translate/figs-explicit ἑστηκότα ὅπου οὐ δεῖ 1 Jesus’ audience would have known that this refers to the temple. If it would be helpful in your language, you could indicate this explicitly. Alternate translation: “standing in the temple, where it should not be standing”
13:14 ck7a ὁ ἀναγινώσκων νοείτω 1 The phrase **Let the one reading understand** is not Jesus speaking. Mark added this to get the readers’ attention so that they would pay attention to this warning. If it would be helpful in your language, you could show that this is not part of Jesus’ direct speech by putting brackets around this phrase, as the UST and ULT do, or you could show your readers in some other way that is natural in your language.
13:14 ck7a rc://*/ta/man/translate/figs-quotemarks ὁ ἀναγινώσκων νοείτω 1 The phrase **Let the one reading understand** is not Jesus speaking. Mark added this to get the readers’ attention so that they would pay attention to this warning. If it would be helpful in your language, you could show that this is not part of Jesus’ direct speech by putting brackets around this phrase, as the UST and ULT do, or you could show your readers in some other way that is natural in your language.
13:15 m1hq rc://*/ta/man/translate/figs-explicit ὁ & ἐπὶ τοῦ δώματος, μὴ καταβάτω, μηδὲ εἰσελθάτω ἆραί τι ἐκ τῆς οἰκίας αὐτοῦ 1 Where Jesus lived, the tops of houses were flat. People would eat and do other activities on top of their houses. Jesus assumes that his hearers know this and that they know that the roofs were accessed by an exterior staircase at the back of the house, distant from the entry at the front. If it would be helpful in your language, you could indicate that explicitly. Alternate translation: “the person who is on top of their roof should escape immediately and not enter their house to get anything”
13:16 y1e9 rc://*/ta/man/translate/translate-unknown ὁ εἰς τὸν ἀγρὸν, μὴ ἐπιστρεψάτω εἰς τὰ ὀπίσω 1 The word **cloak** refers to an outer garment. You could translate this with the name of an outer garment that your readers would recognize, or with a general expression. Alternate translation: “coat” or “outer garment”
13:17 bi8n rc://*/ta/man/translate/figs-idiom ταῖς ἐν γαστρὶ ἐχούσαις 1 The phrase **having in the womb** is an idiom meaning the woman is with child. If it would be helpful in your language, you could use an equivalent idiom or use plain language. Alternate translation: “to women who are pregnant”

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@ -32,7 +32,7 @@ front:intro an3g 0 # Introduction to the Song of Songs\n\n## Part 1: General
1:4 gxfw אֲהֵבֽוּ⁠ךָ 1 Alternate translation: “do they admire you”
1:4 ag8r מֵישָׁרִ֖ים אֲהֵבֽוּ⁠ךָ 1 Alternate translation: “it is right that other young women adore you” or “no wonder other young women adore you”
1:5 ez2x rc://*/ta/man/translate/figs-explicit שְׁחוֹרָ֤ה אֲנִי֙ 1 Here, **I am black** means “My skin is black” or “My skin is very dark.” If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “My skin is black” or “My skin is very dark”
1:5 jpj9 rc://*/ta/man/translate/grammar-connect-logic-contrast וְֽ⁠נָאוָ֔ה 1 Here, the word **But** is introducing a contrast. What follows the word **But** is in contrast to what was expected, because in the author’s culture it was not considered attractive for a woman to have skin that was dark as a result of much exposure to the sun. Use a natural form in your language for introducing a contrast. Alternate translation: “yet lovely” or “but still lovely”
1:5 jpj9 rc://*/ta/man/translate/grammar-connect-logic-contrast וְֽ⁠נָאוָ֔ה 1 Here, the word **but** is introducing a contrast. What follows the word **But** is in contrast to what was expected, because in the author’s culture it was not considered attractive for a woman to have skin that was dark as a result of much exposure to the sun. Use a natural form in your language for introducing a contrast. Alternate translation: “yet lovely” or “but still lovely”
1:5 ck9k rc://*/ta/man/translate/figs-possession בְּנ֖וֹת יְרוּשָׁלִָ֑ם 1 The woman is using the possessive form to poetically describe where the young women (whom she calls **daughters**) live. The phrase **daughters of Jerusalem** refers to the young women who were from the city of Jerusalem (These are probably the same women as the “marriageable women” in [1:3](../01/03.md) and the women referred to as “they” in [1:4](../01/04.md)). If your language would not use the possessive form for this, you could indicate the association between these young women and **Jerusalem** in a way that is natural in your language. Alternate translation: “daughters from Jerusalem” or “young women from Jerusalem”
1:5 rbb3 rc://*/ta/man/translate/figs-simile כְּ⁠אָהֳלֵ֣י קֵדָ֔ר כִּ⁠ירִיע֖וֹת שְׁלֹמֹֽה 1 The Kedar were a tribe of people who used black goat skins to make their tents, thus their tents were dark in color. The woman is comparing her skin to these tents which were dark in color. The phrase **the curtains of Solomon** refers to the curtains in Solomon’s palace which were very beautiful. The point of the first comparison is that the woman’s skin was dark (referring back to and further describing the word **black**) and the point of the second comparison is that the woman was beautiful (referring back to and further describing the word **lovely**). If it would be helpful in your language, you could use equivalent comparisons from your culture or you could retain these similes and express these meanings as plainly as possible. Alternate translation: “like the dark color of the tents of the people of the tribe Kedar, like the curtains of Solomon’s palace” or “as dark as the color of the tents of Kedar, as beautiful as the curtains in Solomon’s palace”
1:6 avcq אַל־ תִּרְא֨וּ⁠נִי֙ 1 The phrase **Do not look at me** could mean: (1) that the woman does not want people to look at her with contempt. Alternate translation: “Do not look at me with contempt” or “Do not look down on me” or “Do not look at me disapprovingly” (2) that the woman does not want people to stare at her in admiration of her beauty. Alternate translation: “Do not stare at me because I am so beautiful”
@ -182,16 +182,22 @@ front:intro an3g 0 # Introduction to the Song of Songs\n\n## Part 1: General
2:17 scgd סֹב֩ דְּמֵה־לְ⁠ךָ֨ דוֹדִ֜⁠י 1 Alternate translation: “turn; my beloved, and be like”
2:17 d8mw rc://*/ta/man/translate/translate-unknown לִ⁠צְבִ֗י 1 See how you translated the plural form “gazelles” in [2:7](../02/07.md) and translate this word as the singular form of “gazelles.”
2:17 iwlq rc://*/ta/man/translate/translate-transliterate הָ֥רֵי בָֽתֶר 1 The word **Bether** is a transliteration of a Hebrew word which refers to a cleft place with gorges and could: (1) refer to a specific place in Israel. If you choose this option then in your translation you can spell it the way it sounds in your language as modeled by the ULT. (2) be used generically here as a general description for **the mountains**. Alternate translation: “the cleft mountains” or “the rugged mountains” or “the mountain gorges”
3:intro t72h 0 # Song of Songs 3 General Notes\n\n## Special concepts in this chapter\n\n### Longing\n\nThis chapter describes a feeling of longing, or the waiting in anticipation of the one you love. (See: [[rc://*/ta/man/translate/figs-explicit]])\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]])
3:1 l1kv I was longing for him … could not find him 0 Alternate translation: “I had a strong desire to be with him … loves, but he was not there”
3:1 hu3u rc://*/ta/man/translate/figs-metonymy him whom my soul loves 0 The soul is a metonym for the whole person. Here it makes a stronger statement of the woman’s love for the man than “my beloved” ([Song of Songs 1:14](../01/12.md)).
3:2 uyu7 go through the city 0 Alternate translation: “walk through the city”
3:2 x9ki through the streets and squares 0 The word “squares” indicates the center area of a town where streets or roads come together. It is often an area where people sell items, a market, and a place where people come together to talk.
3:2 afu9 will search 0 Alternate translation: “will to look for”
3:3 rdd5 watchmen 0 men who have the job of keeping guard of the town at night to keep the people safe
3:3 b9j2 as they were making their rounds in the city 0 Alternate translation: “who were walking around the city on the walls”
3:3 pab8 rc://*/ta/man/translate/figs-metonymy him whom my soul loves 0 The soul is a metonym for the whole person. Here it makes a stronger statement of the woman’s love for the man than “my beloved” ([Song of Songs 1:14](../01/12.md)). See how you translated this in [Song of Songs 3:1](./01.md).
3:intro t72h 0 # Song of Songs 3 General Notes\n\n## Special concepts in this chapter\n\n### Longing\n\n[3:1-3](../03/01.md) describes the feeling of longing that the woman had for the man she loved and it describes her diligently seeking the man loved. [3:4](../03/04.md) describes the woman finding the man that she loved and her response to finding him, holding onto him and bringing him to her mother’s house. \n\n## Other possible translation difficulties in this chapter\n\n\n### Whether [3:1-4](../03/01.md) describe a dream, a real event or something imagined\n\nBible scholars do not know for certain whether the events described in [3:1-4](../03/01.md) are a real event or something that the woman dreamed in a dream or something that the woman imagined. Many Bible scholars think that [3:1-4](../03/01.md) describe a dream. If you are using footnotes you may wish to explain this in a footnote or you could indicate in a section header whether you think this is a dream, a real event or something that the woman imagined. You could also use a general section header such as “The woman searches for the man she loves at night and finds him” which does not comment on whether this was a dream, a real event or something imagined.
3:1 gagz rc://*/ta/man/translate/figs-extrainfo עַל־ מִשְׁכָּבִ⁠י֙ בַּ⁠לֵּיל֔וֹת 1 Because Bible scholars do not know if the events described in [3:1-4](../03/01.md) describe real events, things that happened in a dream or things the woman imagined, you should not expand on or explain the phrase **On my bed in the night** in the actual text of your translation (by adding a phrase like “I dreamed I was” or “I imagined I was”) though you may wish to use a header or a footnote. See the section “Other possible translation difficulties in this chapter” in the Introduction to this chapter for more information.
3:1 eds0 rc://*/ta/man/translate/translate-plural בַּ⁠לֵּיל֔וֹת 1 In the original language the phrase **in the night** uses a plural form of **night** and could mean: (1) that the woman sought the man during the night. Alternate translation: “during the night” (2) that the woman sought the man throughout the night. Alternate translation: “throughout the night” or “all night long” (3) that the woman sought the man on many nights. Alternate translation: “night after night” or “night upon night”
3:1 ks2u rc://*/ta/man/translate/writing-poetry בִּקַּ֕שְׁתִּי אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י בִּקַּשְׁתִּ֖י⁠ו 1 The phrase **I sought him** is repeated for emphasis. Hebrew poetry often uses repetition for emphasis. You may be able to use the same construction in your language to show the emphasis here. Alternatively, your language may have another way of showing the emphasis. Alternate translation: “I desperately sought him whom my soul loves” or “I earnestly sought him whom my soul loves”
3:2 zqaa rc://*/ta/man/translate/figs-explicit אָק֨וּמָה נָּ֜א 1 The woman is thinking or saying this to herself. If it would be helpful to your readers, you could indicate that explicitly by beginning this section with an introductory phrase as modeled by the UST. Alternate translation: “I thought to myself, “I will get up now …’”
3:2 uyu7 וַ⁠אֲסוֹבְבָ֣ה בָ⁠עִ֗יר 1 Alternate translation: “and walk through the city”
3:1 hu3u rc://*/ta/man/translate/figs-synecdoche אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
3:2 x9ki rc://*/ta/man/translate/figs-explicit וּ⁠בָ֣⁠רְחֹב֔וֹת 1 The word **squares** refers to spacious open places where people gathered to sell things and conduct other business matters and handle legal matters. If your readers would not be familiar with this type of place, you could use the name of something similar in your area or you could use a more general term. Alternate translation: “and in the open plazas” or “and in the wide open places”
3:2 afu9 אֲבַקְשָׁ֕ה…בִּקַּשְׁתִּ֖י⁠ו 1 Alternate translation: “I will look for … I looked for him”
3:2 tqsh rc://*/ta/man/translate/figs-synecdoche אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
3:3 rdd5 rc://*/ta/man/translate/translate-unknown הַ⁠שֹּׁ֣מְרִ֔ים 1 Here, the word **guards** refers to men who had the job of walking about the city during the night for the purpose of keeping the people safe. If your readers would not be familiar with this term you could use the name of a similar role in your area or you could use a more general term as modeled by the UST.
3:3 ha13 rc://*/ta/man/translate/figs-explicit אֵ֛ת שֶׁ⁠אָהֲבָ֥ה נַפְשִׁ֖⁠י רְאִיתֶֽם 1 The woman is asking the **guards** a question. If it would be helpful to your readers, you could indicate that explicitly by introducing this question with words that indicate that this is a question as modeled by the UST. Alternate translation: “I said to them, “Have you seen him whom my soul loves’”
3:3 pab8 rc://*/ta/man/translate/figs-synecdoche אֵ֛ת שֶׁ⁠אָהֲבָ֥ה נַפְשִׁ֖⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
3:3 j24q אֵ֛ת שֶׁ⁠אָהֲבָ֥ה נַפְשִׁ֖⁠י רְאִיתֶֽם 1 Alternate translation: “Do you know where the man who I love is?”
3:4 p5k2 the bedroom 0 Alternate translation: “the room for sleeping”
3:4 frj6 rc://*/ta/man/translate/figs-synecdoche אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
3:4 ri8e rc://*/ta/man/translate/figs-metonymy the one who had conceived me 0 This is a metonym for her mother.
3:5 a3y1 0 # General Information:\n\nTranslate this verse as in [Song of Songs 2:7](../02/07.md).
3:5 t61g rc://*/ta/man/translate/figs-apostrophe daughters of Jerusalem 0 “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her.

1 Reference ID Tags SupportReference Quote Occurrence Note
32 1:4 gxfw אֲהֵבֽוּ⁠ךָ 1 Alternate translation: “do they admire you”
33 1:4 ag8r מֵישָׁרִ֖ים אֲהֵבֽוּ⁠ךָ 1 Alternate translation: “it is right that other young women adore you” or “no wonder other young women adore you”
34 1:5 ez2x rc://*/ta/man/translate/figs-explicit שְׁחוֹרָ֤ה אֲנִי֙ 1 Here, **I am black** means “My skin is black” or “My skin is very dark.” If it would be helpful to your readers, you could indicate that explicitly. Alternate translation: “My skin is black” or “My skin is very dark”
35 1:5 jpj9 rc://*/ta/man/translate/grammar-connect-logic-contrast וְֽ⁠נָאוָ֔ה 1 Here, the word **But** is introducing a contrast. What follows the word **But** is in contrast to what was expected, because in the author’s culture it was not considered attractive for a woman to have skin that was dark as a result of much exposure to the sun. Use a natural form in your language for introducing a contrast. Alternate translation: “yet lovely” or “but still lovely” Here, the word **but** is introducing a contrast. What follows the word **But** is in contrast to what was expected, because in the author’s culture it was not considered attractive for a woman to have skin that was dark as a result of much exposure to the sun. Use a natural form in your language for introducing a contrast. Alternate translation: “yet lovely” or “but still lovely”
36 1:5 ck9k rc://*/ta/man/translate/figs-possession בְּנ֖וֹת יְרוּשָׁלִָ֑ם 1 The woman is using the possessive form to poetically describe where the young women (whom she calls **daughters**) live. The phrase **daughters of Jerusalem** refers to the young women who were from the city of Jerusalem (These are probably the same women as the “marriageable women” in [1:3](../01/03.md) and the women referred to as “they” in [1:4](../01/04.md)). If your language would not use the possessive form for this, you could indicate the association between these young women and **Jerusalem** in a way that is natural in your language. Alternate translation: “daughters from Jerusalem” or “young women from Jerusalem”
37 1:5 rbb3 rc://*/ta/man/translate/figs-simile כְּ⁠אָהֳלֵ֣י קֵדָ֔ר כִּ⁠ירִיע֖וֹת שְׁלֹמֹֽה 1 The Kedar were a tribe of people who used black goat skins to make their tents, thus their tents were dark in color. The woman is comparing her skin to these tents which were dark in color. The phrase **the curtains of Solomon** refers to the curtains in Solomon’s palace which were very beautiful. The point of the first comparison is that the woman’s skin was dark (referring back to and further describing the word **black**) and the point of the second comparison is that the woman was beautiful (referring back to and further describing the word **lovely**). If it would be helpful in your language, you could use equivalent comparisons from your culture or you could retain these similes and express these meanings as plainly as possible. Alternate translation: “like the dark color of the tents of the people of the tribe Kedar, like the curtains of Solomon’s palace” or “as dark as the color of the tents of Kedar, as beautiful as the curtains in Solomon’s palace”
38 1:6 avcq אַל־ תִּרְא֨וּ⁠נִי֙ 1 The phrase **Do not look at me** could mean: (1) that the woman does not want people to look at her with contempt. Alternate translation: “Do not look at me with contempt” or “Do not look down on me” or “Do not look at me disapprovingly” (2) that the woman does not want people to stare at her in admiration of her beauty. Alternate translation: “Do not stare at me because I am so beautiful”
182 2:17 scgd סֹב֩ דְּמֵה־לְ⁠ךָ֨ דוֹדִ֜⁠י 1 Alternate translation: “turn; my beloved, and be like”
183 2:17 d8mw rc://*/ta/man/translate/translate-unknown לִ⁠צְבִ֗י 1 See how you translated the plural form “gazelles” in [2:7](../02/07.md) and translate this word as the singular form of “gazelles.”
184 2:17 iwlq rc://*/ta/man/translate/translate-transliterate הָ֥רֵי בָֽתֶר 1 The word **Bether** is a transliteration of a Hebrew word which refers to a cleft place with gorges and could: (1) refer to a specific place in Israel. If you choose this option then in your translation you can spell it the way it sounds in your language as modeled by the ULT. (2) be used generically here as a general description for **the mountains**. Alternate translation: “the cleft mountains” or “the rugged mountains” or “the mountain gorges”
185 3:intro t72h 0 # Song of Songs 3 General Notes\n\n## Special concepts in this chapter\n\n### Longing\n\nThis chapter describes a feeling of longing, or the waiting in anticipation of the one you love. (See: [[rc://*/ta/man/translate/figs-explicit]])\n\n## Other possible translation difficulties in this chapter\n\n### Metaphors\n\nIn the ancient Near East, it was common to describe a woman using metaphors involving animals. In many cultures today, this can be considered offensive. Different metaphors of beauty are used in different cultures. (See: [[rc://*/ta/man/translate/figs-metaphor]]) # Song of Songs 3 General Notes\n\n## Special concepts in this chapter\n\n### Longing\n\n[3:1-3](../03/01.md) describes the feeling of longing that the woman had for the man she loved and it describes her diligently seeking the man loved. [3:4](../03/04.md) describes the woman finding the man that she loved and her response to finding him, holding onto him and bringing him to her mother’s house. \n\n## Other possible translation difficulties in this chapter\n\n\n### Whether [3:1-4](../03/01.md) describe a dream, a real event or something imagined\n\nBible scholars do not know for certain whether the events described in [3:1-4](../03/01.md) are a real event or something that the woman dreamed in a dream or something that the woman imagined. Many Bible scholars think that [3:1-4](../03/01.md) describe a dream. If you are using footnotes you may wish to explain this in a footnote or you could indicate in a section header whether you think this is a dream, a real event or something that the woman imagined. You could also use a general section header such as “The woman searches for the man she loves at night and finds him” which does not comment on whether this was a dream, a real event or something imagined.
186 3:1 l1kv gagz rc://*/ta/man/translate/figs-extrainfo I was longing for him … could not find him עַל־ מִשְׁכָּבִ⁠י֙ בַּ⁠לֵּיל֔וֹת 0 1 Alternate translation: “I had a strong desire to be with him … loves, but he was not there” Because Bible scholars do not know if the events described in [3:1-4](../03/01.md) describe real events, things that happened in a dream or things the woman imagined, you should not expand on or explain the phrase **On my bed in the night** in the actual text of your translation (by adding a phrase like “I dreamed I was” or “I imagined I was”) though you may wish to use a header or a footnote. See the section “Other possible translation difficulties in this chapter” in the Introduction to this chapter for more information.
187 3:1 hu3u eds0 rc://*/ta/man/translate/figs-metonymy rc://*/ta/man/translate/translate-plural him whom my soul loves בַּ⁠לֵּיל֔וֹת 0 1 The soul is a metonym for the whole person. Here it makes a stronger statement of the woman’s love for the man than “my beloved” ([Song of Songs 1:14](../01/12.md)). In the original language the phrase **in the night** uses a plural form of **night** and could mean: (1) that the woman sought the man during the night. Alternate translation: “during the night” (2) that the woman sought the man throughout the night. Alternate translation: “throughout the night” or “all night long” (3) that the woman sought the man on many nights. Alternate translation: “night after night” or “night upon night”
188 3:2 3:1 uyu7 ks2u rc://*/ta/man/translate/writing-poetry go through the city בִּקַּ֕שְׁתִּי אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י בִּקַּשְׁתִּ֖י⁠ו 0 1 Alternate translation: “walk through the city” The phrase **I sought him** is repeated for emphasis. Hebrew poetry often uses repetition for emphasis. You may be able to use the same construction in your language to show the emphasis here. Alternatively, your language may have another way of showing the emphasis. Alternate translation: “I desperately sought him whom my soul loves” or “I earnestly sought him whom my soul loves”
189 3:2 x9ki zqaa rc://*/ta/man/translate/figs-explicit through the streets and squares אָק֨וּמָה נָּ֜א 0 1 The word “squares” indicates the center area of a town where streets or roads come together. It is often an area where people sell items, a market, and a place where people come together to talk. The woman is thinking or saying this to herself. If it would be helpful to your readers, you could indicate that explicitly by beginning this section with an introductory phrase as modeled by the UST. Alternate translation: “I thought to myself, “I will get up now …’”
190 3:2 afu9 uyu7 will search וַ⁠אֲסוֹבְבָ֣ה בָ⁠עִ֗יר 0 1 Alternate translation: “will to look for” Alternate translation: “and walk through the city”
191 3:3 3:1 rdd5 hu3u rc://*/ta/man/translate/figs-synecdoche watchmen אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י 0 1 men who have the job of keeping guard of the town at night to keep the people safe See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
192 3:3 3:2 b9j2 x9ki rc://*/ta/man/translate/figs-explicit as they were making their rounds in the city וּ⁠בָ֣⁠רְחֹב֔וֹת 0 1 Alternate translation: “who were walking around the city on the walls” The word **squares** refers to spacious open places where people gathered to sell things and conduct other business matters and handle legal matters. If your readers would not be familiar with this type of place, you could use the name of something similar in your area or you could use a more general term. Alternate translation: “and in the open plazas” or “and in the wide open places”
193 3:3 3:2 pab8 afu9 rc://*/ta/man/translate/figs-metonymy him whom my soul loves אֲבַקְשָׁ֕ה…בִּקַּשְׁתִּ֖י⁠ו 0 1 The soul is a metonym for the whole person. Here it makes a stronger statement of the woman’s love for the man than “my beloved” ([Song of Songs 1:14](../01/12.md)). See how you translated this in [Song of Songs 3:1](./01.md). Alternate translation: “I will look for … I looked for him”
194 3:2 tqsh rc://*/ta/man/translate/figs-synecdoche אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
195 3:3 rdd5 rc://*/ta/man/translate/translate-unknown הַ⁠שֹּׁ֣מְרִ֔ים 1 Here, the word **guards** refers to men who had the job of walking about the city during the night for the purpose of keeping the people safe. If your readers would not be familiar with this term you could use the name of a similar role in your area or you could use a more general term as modeled by the UST.
196 3:3 ha13 rc://*/ta/man/translate/figs-explicit אֵ֛ת שֶׁ⁠אָהֲבָ֥ה נַפְשִׁ֖⁠י רְאִיתֶֽם 1 The woman is asking the **guards** a question. If it would be helpful to your readers, you could indicate that explicitly by introducing this question with words that indicate that this is a question as modeled by the UST. Alternate translation: “I said to them, “Have you seen him whom my soul loves’”
197 3:3 pab8 rc://*/ta/man/translate/figs-synecdoche אֵ֛ת שֶׁ⁠אָהֲבָ֥ה נַפְשִׁ֖⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
198 3:3 j24q אֵ֛ת שֶׁ⁠אָהֲבָ֥ה נַפְשִׁ֖⁠י רְאִיתֶֽם 1 Alternate translation: “Do you know where the man who I love is?”
199 3:4 p5k2 the bedroom 0 Alternate translation: “the room for sleeping”
200 3:4 frj6 rc://*/ta/man/translate/figs-synecdoche אֵ֥ת שֶׁ⁠אָהֲבָ֖ה נַפְשִׁ֑⁠י 1 See how you translated the similar phrase “you whom my soul loves” in [1:7](../01/07.md). Alternate translation: “him whom I love”
201 3:4 ri8e rc://*/ta/man/translate/figs-metonymy the one who had conceived me 0 This is a metonym for her mother.
202 3:5 a3y1 0 # General Information:\n\nTranslate this verse as in [Song of Songs 2:7](../02/07.md).
203 3:5 t61g rc://*/ta/man/translate/figs-apostrophe daughters of Jerusalem 0 “young women of Jerusalem.” These young women could not hear her and were not present, but the woman speaks as if they were present and could hear her.