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Fixed ch intro notes with "indent".

This commit is contained in:
Henry Whitney 2017-09-27 17:16:46 -04:00
parent 8320f6e7ae
commit 5f55e5ff2e
5 changed files with 5 additions and 5 deletions
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zec/06/intro.md
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@ -4,7 +4,7 @@
This chapter is written mainly in prose and tells the last vision of the four chariots in the first part of the chapter.
Some translations prefer to set apart quotations. The ULB and many other English translations indent the lines of 6:12-13, which is an extended quotation.
Some translations indent each line of poetry to make it easier to read. The ULB does this with the poetic song in 6:12-13.
#### Special concepts in this chapter ####

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zec/09/intro.md
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This chapter is written mainly in prose about the cities and peoples around where Israel stood as a country until the exile.
Some translations prefer to set apart quotations. The ULB and many other English translations indent the lines of 9:9-10, which is an extended quotation.
Some translations indent each line of poetry to make it easier to read. The ULB does this with the poetic song in 9:9-10.
#### Special concepts in this chapter ####

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zec/10/intro.md
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This chapter is written mainly in prose but still uses figurative language as the writer shares a message of redemption and hope for the exiles. (See: [[rc://en/tw/dict/bible/kt/redeem]])
Some translations prefer to set apart quotations. The ULB and many other English translations indent the lines of 10:1-2, which is an extended quotation.
Some translations indent each line of poetry to make it easier to read. The ULB does this with the poetic song in 10:1-2.
#### Special concepts in this chapter ####

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zec/11/intro.md
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This chapter unlike the previous one is a warning against the leaders amongst the exiles.
Some translations prefer to set apart quotations. The ULB and many other English translations indent the lines of 11:1-3, 17, which are extended quotations.
Some translations indent each line of poetry to make it easier to read. The ULB does this with the poetic song in 11:1-3, 17.
#### Important figures of speech in this chapter ####